Dean and Phil have thoughts about the recent assassination attempt on former President Trump and these thoughts bring back memories of John Lennon’s murder and of vigilante films of the 1970s, especially Taxi Driver as well as the American classic on which it was based, The Searchers. On this week’s show, you will hear all that before your friends in podcasting get down to remembering the great Bob Newhart and the singular Shelly Duvall, as well as Oscar-winning producer Jon Landau in “Celebrity Deaths”. The “Live Event of the Week” involves Disneyland on its 69th birthday, the invention of audio-animatronics and how Disney was denied toys as a kid. Two movies have Phil’s attention, one of whose story (Widow Clicquot) was written by a future guest of YOUR Chillpak Hollywood Hour and the other (Bodies Bodies Bodies) an A24 satire on both WiFi culture and Agatha Christie’s Ten Little Indians. Watching it was part of Phil’s efforts to see everything in which actress Rachel Sennott has appeared. Finally, the Emmy Awards nominations get discussed and Dean’s viewing habits get put to the test!

This week’s episode finds Phil in the “DMV” (DC-Maryland-Virginia) area and Dean safely ensconced back in Michgan. Phil quizzes Dean about Renaissance man Martin Mull, iconic Winnipeg musician and broadcaster Ray St. Germain, two Oscar-winning composers, and an Oscar-nominated documentarian. Dean and Phil also sing the praises of perhaps the greatest actor to NEVER get nominated for an Oscar! Such streaming fare as “Tulsa King”, Season 4 of “The Boys”, “Ripley”, Season 2 of “Tokyo Vice”, and Richard Linklater’s Hit Man all get reviewed as well.

Dean (in Detroit) and Phil (in Los Angeles) celebrate the lives of three amazing women: Performer-turned-novelist Echo Brown, Pilot-turned-architect Beverly Willis, and Detroit’s very own screen legend Piper Laurie. The latest implosion in the negotiations between the actors and the studios gets discussed, analyzed, and what it means for TV and Film production gets predicted. Where television is concerned, your friends in podcasting and broadcasting offer up thoughts on the recent social media furor surrounding Martin Short, and the merits of “Only Murders in the Building” season 3, “Reservation Dogs” season 3, and “Our Flag Means Death” season 2. Where movies are concerned, Dean checks in with a review of The Creator, while Phil weighs in on William Friedkin’s final film and Wes Anderson’s brand new Roald Dahl adaptations for Netflix.

Happy St. Stephen’s Day, Happy Boxing Day, Happy (final day of) Hanukkah AND Happy 2nd Day of Christmas! Dean and Phil celebrate it all by comparing notes on their holiday celebrations, by sharing stories of Dean’s jury duty and of Phil’s cross-country travels with THE Fuzz Aldrin! Film critics everywhere have been weighing in on the best movies of 2022. Dean and Phil will check in on their consensus picks (thus far). They will also discuss a handful of current and recent releases, including Guillermo Del Toro’s “Pinocchio”, the dark satire “The Menu”, Ti West’s “X” and “Pearl”, and they re-visit the recent comedy actioner “Bullet Train”, using it as an excuse to analyze the work of Ryan Reynolds, and to celebrate the greatness of Michael Shannon.

In some ways this week’s episode is a continuation of last week’s show, with more hilarious, puzzling, controversial or just plain delightful movie ads from the 80’s or 90’s, and an email from a loyal listener like you (yes, YOU!) following up on last week’s remembrance of David Lander and his death from Multiple Sclerosis. There is also another email that contains a job offer for Dean, who will update us on his ice cream making and on his graphic novel. Phil wants to discuss caramel, Captain Morgan’s spiced rum and an apparently controversial Uber Eats advertising campaign. Two new documentaries available on Showtime, must viewing for those interested in comedy, movies, music and culture, will get discussed. The controversial decision by Warner Brothers to release their entire 2021 theatrical slate directly to HBO Max will get analyzed. Two indelible actors, a giant of espionage and of spy fiction, a Country Music Hall of Fame inductee, and one legendary, military maverick get remembered in “Celebrity Deaths”.

We’re only two episodes away from the end of year 8 and only five episodes away from Dean Haglund’s move to Australia, yet your friends in podcasting have more to discuss than ever before! From a full report on the preview screening of their new dark comedy, to the latest news regarding Sci-Fest, from the latest rumblings about the return of The X-Files to Phil’s heartfelt thank you and farewell to a film critic who played a major role in his development as an artist, this week’s installment is quite personal to Dean and Phil.

There is a ton of talk about current television (like Mad MenDaredevil, and the countdown to David Letterman’s final show) and future television (an Agents of S.H.I.E.L.D. spin-off, the Twin Peaks reboot, and perhaps the most exciting new show to be announced in AGES!). There is also much attention paid to forthcoming movies, including ill-advised remakes and reboots, and maybe a film or two worthy of optimism!

Dean and Phil follow up on their (enormously popular) discussion of female-driven films (episode #413), with a discussion of two emerging female musical artists. All that, plus the latest dirt Phil has learned about Scientology AND not one, not two, not three, but FOUR emails from listeners like you! Want to learn about IMDb? Want to learn about Dean and Phil’s favorite cookies? Then, stop reading and start enjoying this thrilling installment of YOUR Chillpak Hollywood Hour!