Welcome to one of our most cinematic episodes of the year! Dean and Phil talk nothing but movies, doing deep dive analyses of the new Dave Bautista action-comedy vehicle (and tax dodge?) The Killer’s Game, the current Tim Burton-directed smash hit Beetlejuice Beetlejuice, the Michael Keaton-starring vehicle and directorial effort Knox Goes Away, the recent “thriller in six chapters” Strange Darling, this year’s box office disaster The Fall Guy, a 1968 film undone by director Richard Lester’s cynicism (Petulia), and an all-too overlooked classic from director Joseph Losey and leading man Alain Delon (Mr. Klein). Finally, Phil regales Dean with a real-life unsolved murder that involved the late, great Delon.

 

It’s a Labor Day edition of YOUR Chillpak Hollywood Hour and Dean and Phil regale with tales of the labor they had to put into Labor Day Weekend, and discuss the history of the day itself. Phil rants about the truncating of summer before he and Dean revisit the following topics from last week: Edgar Bronfman Jr.’s 11th hour bid to take over Paramount, the cinematic legacy of the great leading man Alain Delon, and the nonlinear nature of Strange Darling. Many classic and recent films get appraised, including the Ryan Reynolds-starring If and the 2014 indie neo-noir Man From Reno. On the small screen, the new season of “Only Murders in the Building”, the third season of “Slow Horses” and the rookie season of “Bad Monkey” all get discussed, as does the literary voice of author Carl Hiaasen. All that plus, Phil reveals some very interesting tidbits about his essays and podcasts at “The Voice of Los Feliz”.

When does an hour turn into 80 minutes? When it’s this week’s installment of YOUR Chillpak Hollywood Hour! Dean is back in Michigan and has travel horror stories. Dean and Phil tackle the latest bizarre turn in the ongoing saga of Paramount changing ownership. An “all icons” edition of “Celebrity Deaths” involves the fascinating story behind the creator of Famous Amos, the hilarious reason Peter Marshall became the long-running host of “Hollywood Squares”, and appreciations of an 80’s music hitmaker, a groundbreaking and format-creating talk show host, and one of the greatest, most important leading men in movie history. Speaking of movies, Dean reviews the new Strange Darling, Phil tries to understand the failure of the recent Furiosa: A Mad Max Saga, and Dean and Phil close with an appreciation of the great Michael Powell. Then, before the show ends, Marc Hershon joins the festivities to celebrate what just might be the best show on television.