From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

As many of you know, our ten most recent shows are now available on iTunes and on our newly re-launched website. We would not have made it this far without a lot of hard work without support from several loyal listeners. If you would like to pitch in with a donation to help your friends in podcasting as they continue the time-consuming effort of re-building, please drop us a line (chillpakhollywood at yahoo dot com). The gents will be back on Monday with another brand new episode where they will be discussing some amazing good news to come out of the Notre Dame fire, a preview of their forthcoming trip to Rhode Island, what TV shows Dean is watching now that he resides in the USA again, the breakdown in negotiations between the Writers Guild of America and the talent agents, and three recent movies, including two superhero films! All that plus an Oscar-nominated director fights for life, a brilliant television comedienne is remembered in “Celebrity Deaths”, Roman Polanski returns in a “Lawsuit of the Week” and the yet-to-launch Disney + streaming service announces what film won’t be available and what classic will be edited before it is available. YOUR Chillpak Hollywood Hour. Back and better than ever. Monday at 5 pm Pacific. Wherever good podcasts can be found!

Dean Haglund stopped off in Los Angeles for a couple days and while he was there, he recorded a special 2 part installment of YOUR Chillpak Hollywood Hour. Put on your walking shoes and join and Phil Leirness as they take an audio stroll through some of the most historic parts of downtown Los Angeles! The adventure begins in the iconic Union Station, continues through the original location of Chinatown, includes a stop at Olvera Street and ends high atop City Hall. Through it all, your friends in podcasting will discuss Blade Runner, Harvey Houses, It Happened One Night, classic Hollywood dirt, a controversial and long-lost mural, the challenging art of portrait painting, a bizarre piece of Americana, the history of L.A.’s mayors, Phil’s fear of heights and much more on part 1 of this movable feat for the ears, the spirit and the funny bone!

This week’s show is over five and a half years in the making.

It starts with your friends in podcasting revealing their all-time Top Ten Films.

Then, they reveal the all-time Top Ten according to all the guests who have appeared on YOUR Chillpak Hollywood Hour!

What films will make the cut?

We wouldn’t dream of spoiling it. HOWEVER, we CAN let you know that these films did NOT make the top ten, though they came very close, finishing in positions twenty-four through eleven:

24. Vertigo (Director: Alfred Hitchcock, Year: 1958)
23. Apocalypse Now (Francis Coppola, 1979)
22. Amelie (Jean-Pierre Jeunet, 2001)
21. A Clockwork Orange (Stanley Kubrick, 1971)
19. TIE – Pulp Fiction (Quentin Tarantino, 1994), The Big Lebowski (Joel Coen, 1998)
18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
17. Wings of Desire (Wim Wenders, 1987)
16. the Matrix (The Wachowskis, 1999)
15. The Third Man (Carol Reed, 1949)
14. Chinatown (Roman Polanski, 1974)
13. Fellini’s 8 1/2 (Federico Fellini, 1963)
12. Goodfellas (Martin Scorsese, 1990)
11. Lawrence of Arabia (David Lean, 1962)

Got your popcorn? Then, let’s go to the movies!