Since 1984’s Risky Business, Tom Cruise has been one of the most reliable and bankable stars of major motion pictures. Since 1984’s Stranger than Paradise, Jim Jarmusch has been one of the most reliable and influential auteurs in independent cinema. This week, Dean and Phil compare and contrast these two icons’ filmographies, making recommendations, drawing parallels between two very different artists, and examining forty years of American culture and hundreds of years of American mythology in the process!
From the sublime to the ridiculous, from the cosmic to the deeply personal, Dean and Phil are going deep on this week’s show! Remembering the haunting, ethereal “voice” of “Twin Peaks”, Julee Cruise, leads into ruminating about the afterlife, hauntings, consciousness, and moral underpinnings to the universe. This, naturally, involves analyzing two new Netflix comedy specials – Ricky Gervais’ “SuperNature” and Norm MacDonald’s “Nothing Special” – and two fascinating and troubling cinematic releases of the late 60s – Otto Preminger’s Skidoo and Richard Brooks’ In Cold Blood.
Dean and Phil get the ball rolling by discussing the most “fun” (?) cities in California. Then they discuss the role film critics play as we emerge from a pandemic. The quality and box office fortunes of The French Dispatch, The Eternals, Last Night in Soho, Dune, Venom: Let There Be Carnage and No Time to Die get analyzed and discussed. Phil sings the praises of a great Japanese film, a legendary Japanese actor, and a charismatic Japanese pop star. Dean sings the praises of Benedict Cumberbatch and his new film about a famous artist. Phil sings the praises of Mike White’s satirical “The White Lotus” and tackles the controversy surround Dave Chappelle’s “The Closer” from a much different angle. Finally, Dean intrigues Phil with his description of Channing Tatum’s Amazon Prime series “Comrade Detective”.