Dean Haglund is back from Stockholm and he has brought tales of family mysteries with him! Because Dean is also jet-lagged, Phil Leirness figured this show was the perfect time to ask him about the science of combatting jet lag, about Melbourne, and about wildlife in Australia. Wildlife in Los Angeles, from bears to coyotes to one famous mountain lion, gets celebrated as well. Phil’s suspicions surrounding the lawsuit currently blocking Paramount’s merger with Warner Bros. get discussed. The recent “Deep Dive” Dean and Phil did into 1950s film noir gets re-visited and in the process, the work of writer A.I. Bezzerides, and the early works of Stanley Kubrick get dug into, while an email from Maurice Terenzio about an early work by great noir director Joseph H. Lewis gets shared. Dean watched a whole bunch of current or recent releases on his long flight back from Europe (3BHK, F1, Michael and Good Luck, Have Fun, Don’t Die) and Phil shares his thoughts about the current documentary about the late, great poet Mary Oliver. Even more movies than this get discussed, corrections get made and mea culpas are offered!

On this week’s episode, Dean and Phil answer the following questions: 1) Was Vincent Van Gogh a mathematics genius? 2) What does a Frisbee have to do with airline aviation? 3) Does Phil’s hatred of The Fall Guy know no bounds? Then, a review of the neo-noir pastiche Love Lies Bleeding leads into a brief discussion about distributor A24’s output. The recent Chillpak discussion of Joaquin Phoenix bailing on his planned collaboration with Todd Haynes, caused Phil to revisit Todd Haynes’ 2002 almost-masterpiece Far From Heaven, and the death of the legendary leading man Alain Delon led Phil to watch three of the actor’s greatest successes on the big screen this week. The result is not only a discussion of Le Cercle Rouge, Purple Noon and La Piscine (aka The Swimming Pool), but a full deep dive into “heist” pictures, film critics, and more.

A cold open about a … melon festival (?!) … inspires a story about racial hostility in Turlock in the early 20th century. From there, Phil is inspired to pick up on a brilliant observation Dean made last week about Mike Nichols’ Working Girl and apply that observation as a potential thru-line for this celebrated director’s career. Alec Baldwin gets into hot water for tweeting support for Anne Heche and Salman Rushdie gets stabbed on-stage right before hailing the USA as the last bastion of freedom of speech. Dean and Phil try to make sense of both of these events. The return of “What We’re Reading” sees Dean learning how to sketch people’s hands and Phil learning what the next World War will be like! In “Celebrity Deaths”, a good friend and frequent collaborator of Stanley Kubrick, a popular and inspiring painter, a legendary French movie star, and the composer of one of the most indelible theme songs of all time all get remembered. Finally, Dean and Phil discuss the finely-tuned instincts Marlon Brando possessed as a great entertainer, and Phil hails the allegorical storytelling on display in Jordan Peele’s Nope.

A lot of post-production work went into making this one of our best shows of the year! Dean regales with stories of drinking and jury duty, Phil remembers dear friend and true iconoclast Konrad Monti. Dean and Phil discuss Amazon’s “The Boys” (a show Dean might have actually influenced!) and the dire future of movie-going in the wake of James Bond and “Black Widow” being pushed again, which led to the 2nd largest U.S. theater chain closing, while the first largest still hasn’t fully re-opened! A terrific, and highly musical “Celebrity Deaths” involves celebrations of a great jazz musician (and subject of an awesome Netflix documentary), songwriter-singer-turned-actor Mac Davis, and 70’s-pop-queen-turned-therapist Helen Reddy! Finally, we transport you back to a certain rooftop in the historic L.A. neighborhood of Los Feliz for the conclusion of Dean and Phil’s ruminations on what filmmakers might make the list of their all-time favorites.