Halloween week gets off to a spooky good start with this scary fun episode! Dean and Phil reveal “What We’re Reading” and both books involve France! In the return of “Live Event of the Week”, Dean talks farmers markets, and Phil talks an historic theater and a world premiere about inkblots and perception. Dan Lin is out as the film boss at Netflix and what this means for the future of the streamer and its possible future in theatrical exhibition gets discussed. Loyal listener Maurice Terenzio spills the tea on two actors discussed at length on last week’s show: Hans Conried and Errol Flynn. Loyal listener Amber has some final (?) thoughts about the Hans Conried vehicle The Twonky, reveals her favorite Hitchcock film and mentions the two films that provided her truly visceral experiences. Loyal listener G.V. wants Dean and Phil to see the current theatrical release of the restored director’s cut of Ken Russell’s The Devils, and many listeners want them to see the current box office smash documentary (docudrama? meta-doc?) You Can See Everything. Then, because spooky season is in full swing, Phil quizzes Dean about the 20 biggest horror hits of all time at the worldwide box office. After that, Phil rolls up his sleeves to discuss another horror film double-feature of titles included on the 2022 Sight and Sound poll of the greatest films of all time. Finally, Dean and Phil re-appraise Sofia Coppola and her Marie Antoinette in the wake of that film’s 20th anniversary.

Is this brand new show “an action-packed crowd-pleaser”? Give it a listen and find out! It sure is long, we’ll guarantee you that! The cold open deals with the year 1939. Then the show officially starts with all the news you can use coming out of Canada – the good, the bad and the so-called ugly! Your friends in podcasting then go deep into fine art and discuss the works of many great artists, before returning to the business of show and analyzing the current Disney lawsuit against the Federal Communications Commission and the record-setting 2026 box office performance by a beloved leading lady. Dean saw the 1953 sci-fi comedy The Twonky (if you have been listening regularly, you understand), and Phil follows up the brilliant horror double-bill he described last week with another logical pairing: Nicolas Roeg’s 1973 Don’t Look Now and Dario Argento’s 1977 Suspiria (with a little bit of Hitchock’s North by Northwest thrown in for good measure).

After discussing the latest news regarding Netflix, their attempts to purchase Warner Bros, and what the current President of the U.S.A. is demanding they do, Dean and Phil talk about more of the intriguing movies coming out in 2026 (including period pieces, biopics, and crime films). Hollywood still hasn’t recovered from the dual strikes of a few years back, and with the negotiations for new contracts upcoming, the Writers Guild seems to be imploding. Dean and Phil analyze the latest labor strife. The recent movie Anaconda gets reviewed, and the French classic Amelie gets re-appraised in time for its 25th anniversary. In the return of “What We’re Reading” the latest by Dan Brown and a work of historical fiction about legendary filmmaker G.W. Pabst get discussed. Finally the murders of two groundbreaking physicists has Phil troubled, so he asks Dean about whether the deaths might be part of a conspiracy. And speaking of conspiracy, Dean and Phil conclude with the latest news surrounding Ryan Coogler’s reboot of “The X-Files”.

Phil gets things started by singing the praises of “The Lowdown” (and its emotional intelligence), and of Marc Hershon, who had this Sterlin Harjo-created Ethan Hawke-starring series on his list of the best television of 2025. Some casting news (regarding season 4 of “The White Lotus”) has Phil greatly enthusiastic. Then, for the first time in ages, but as they used to do on the regular back in the day, Dean and Phil analyze the long four-day weekend’s domestic box office, paying particular attention to the lack of performance by (the supposedly excellent) 28 Days Later: The Bone Temple and the milestone achieved by bona fide movie star Timothée Chalamet. Then, the conversation about IMDB’s list of the 20 most anticipated movies of 2006 picks up where it left off last week. The incredible achievement Sentimental Value pulled off at the European Film Awards gets placed in a historic perspective. Two movies get reviewed: Dean wags his finger at the Edgar Wright remake The Running Man and Phil doffs his cap to Bi Gan’s masterful Resurrection. This week’s show is EXCELLENT, but don’t take our word for it – just hit “play”!

On this week’s show, Dean Haglund is finally using a microphone once again. It makes his audio better, to be certain, but somehow it also manages to create several cameo opportunities for his dogs! Don’t let those moments dissuade you, however, as this week’s show is an utterly fascinating conversation between Dean and his longtime co-host Phil Leirness. They go deep, discussing the potential sale of Warner Bros. to Netflix, the life and legacy of perhaps the greatest American architect of all time, Frank Gehry, and the truly spine-chilling lessons we can learn from the Nazis’ film policy.

Dean Haglund turned 60 this past week and on the occasion, Phil Leirness and (friend of show and composer of numerous themes songs) Jon Lawlor met up with Dean via Zoom to discuss the importance of celebrating birthdays. They also celebrated the incredible life and hilarious artistry of the great Tom Lehrer. This led into a discussion of the gents’ all time biggest comedy influences. Finally, they discussed the fact that two of the films hailed as the best of 2025 both deal with recovery from sexual trauma and why that might make sense for where we are as a culture right now. Afterwards, Lily Holleman joined the festivities to go in-depth with Phil about one of those two films.

Dean is back home in Birmingham, Michigan. Phil is at home in Los Angeles. They connect via Zoom to discuss the fire damage Dean witnessed while he was in L.A. last week, as well as his ongoing and evolving thoughts regarding Captain America: Brave New World which he caught up with on a flight. Phil has thoughts about the recent Mickey 17, and about the current theatrical releases Caught by the Tides and Friendship. The talk then turns to the business of show and the recently announced/ongoing breakups of media conglomerates Warner Bros. Discovery and Comcast/NBC Universal. Finally, in “Celebrity Deaths”, a character actor on the brink of big fame, a chart-topping singer of 1960s hits, and a legendary jazz singer and pianist all get remembered, and Phil corrects something Dean said last week in remembering the great Brian Wilson, as well as offering something he recently learned about beloved television star Loretta Swit (who was remembered a couple weeks back).

Phil is in Los Angeles, Dean is back in home in Detroit (or its environs) and normalcy is restored on this week’s show. Dean offers up his final thoughts about Lisbon, shares the status of his ongoing home renovations, and weighs in on the in-flight movies he availed himself of: John Woo’s remake of his own The Killer and a zombie dog horror film from South Korea. Phil weighs in on a once-great television series that has jumped the shark and a great spy film from Steven Soderbergh that is meeting with box office failure. The state of the box office, film distribution, and what can be done to fix all of it gets analyzed. Then, in “Celebrity Deaths” two great character actors, two chart-topping music-makers, a heavyweight champion turned grillmaster, and a philanthropist who championed architecture all get remembered.

On this week’s episode, Dean and Phil answer the following questions: 1) Was Vincent Van Gogh a mathematics genius? 2) What does a Frisbee have to do with airline aviation? 3) Does Phil’s hatred of The Fall Guy know no bounds? Then, a review of the neo-noir pastiche Love Lies Bleeding leads into a brief discussion about distributor A24’s output. The recent Chillpak discussion of Joaquin Phoenix bailing on his planned collaboration with Todd Haynes, caused Phil to revisit Todd Haynes’ 2002 almost-masterpiece Far From Heaven, and the death of the legendary leading man Alain Delon led Phil to watch three of the actor’s greatest successes on the big screen this week. The result is not only a discussion of Le Cercle Rouge, Purple Noon and La Piscine (aka The Swimming Pool), but a full deep dive into “heist” pictures, film critics, and more.

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.