This week’s show begins with an email from a loyal listener about the Bree Sharp song “David Duchovny” and the unofficial video for it in which Dean participated. Then, Phil talks about what is going on his beloved Siren Radio in the UK. A petition has been launched to try and save the station to which Phil has been contributing for more than 12 years (read and, if so moved, sign the petition at https://www.change.org/p/support-our-siren-saving-siren-radio-lincoln-s-first-community-radio-station). This leads to a discussion of curated experiences and supposedly outmoded media. From there, the conversation switches to the impact of Bicycle Thieves on the big screen and that classic’s influence on Pee-Wee’s Big Adventure. The surprising good news of a just-released global box office smash hit gets cheered. Of course, “awards season” is reaching its climax, and Dean and Phil analyze what we can know will happen at the Oscars based on this weekend’s SAG Awards. The multi-award-winning miniseries “Beef”, its writing and its stars get hailed. Phil also shares a great story about Annette Bening and both her present, and one of her past, Oscar nominations. All that plus Phil regales with tales of the Autry Museum of the American West in the wake of emceeing a major event there. Finally, the lives of three fascinating music figures get remembered in “Celebrity Deaths”.

Dean previews this weekend’s X-Fest convention all about “The X-Files”, and discusses the latest on his streaming comedy series “Gravity Hole”. In “Celebrity Deaths”, Dean and Phil celebrate the great singer Leon Redbone, the last of the Mohawk code talkers from World War II, and the socialite whose conviction and subsequent acquittal of murder formed the basis of the Oscar-winning Reversal of Fortune. Phil hips Dean to the breaking news about the Canadian genocide of indigenous women, and they commiserate over the latest mass shooting in the USA. They share an email about the (non-existent) Bowling Green Massacre. They assess the current state of movies in theaters, on HBO, via Netflix, and more, especially through the prism of reviewing two new comedies, a western revival, and one of the longest-developing projects in recent Hollywood history. Because next week’s show might be a mostly a pre-recorded interview, this week’s show is an extra 12 minutes long, offers something for almost everyone, and is jam-packed full of podcasty goodness!