Phil (in Hollywood) and Dean (in the environs of Detroit) checked in with each other before, during and after Sunday night’s Oscars and recorded their conversation about the movie industry’s big night. There are insights, there are jokes, there is snark, there are criticisms, and oh, yes, Dean has been drinking!
Since it is Valentine’s Day, it’s only fitting that Dean and Phil are offering up a show that is nothing less than a love letter to movies, movie-going AND great comedic acting on television! In addition to a great story about Howard (“Dr. Johnny Fever”) Hesseman that involves the legendary Jack (“Dragnet”) Webb, and analysis of a handful of nominated films, shows and performances, Dean and Phil also engage in free-wheeling discussion about how we judge film and TV, how these works are consumed and what awards shows need to be moving forward. All that, plus a legend of visual effects and the Queen of Italian Cinema both get remembered in “Celebrity Deaths”.
Your friends in podcasting (AND broadcasting!) have quite the week to discuss! As the holidays approach, and Covid-19 dashes Dean’s travel plans, Awards Season in Hollywood gets underway. The National Board of Review and the New York Film Critics Circle announced their winners of the best in cinema for 2021, and a consensus has begun to form through critics Top Ten lists about the best of the year in television. Dean and Phil discuss it all. They also try to make sense of the latest in the accidental shooting on the set of “Rust”. A whole lot of classic films get discussed, including which films may have best depicted what life in America was really like in the mid-1980’s. A new documentary series about The Beatles from Peter Jackson gets reviewed and four actors and a musician get remembered in our penultimate installment of “Celebrity Deaths” for 2021. If nothing else, you will learn that the movie Beau Geste is NOT the movie Gunga Din and director Wim Wenders is NOT director Werner Herzog.
After a funny cold open where Dean tells about another of his haunted house adventures, Dean and Phil kick off this week’s show by sharing what they are thankful for during this Thanksgiving week, Dean battling Covid-19, Phil reflecting on his mother’s death two years ago. The career of Dean Martin, his work with Jerry Lewis, and a terrific TCM documentary “Dean Martin: King of Cool” all get discussed. A great jazz film from the 1980s, Round Midnight, and the “sacred” aspect of cinema get celebrated. The box office success of Ghostbusters: Afterlife and No Time to Die get analyzed through a very optimistic lens. In “Celebrity Deaths”, Dean’s love of funk gets exposed, as two great funk stars get remembered, along with a star of HBO’s “Oz”. And speaking of HBO, Dean and Phil tease an upcoming discussion about HBO’s “Succession” and about Will Ferrell’s considerable behind-the-scenes clout in Hollywood.
With the Oscars coming up this weekend, the book will finally close on the year in cinema 2019 … The Best Picture nominees are 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood and Parasite. The top performing films at the US Box office released in 2019 (ranked from 1 thru 10) were Avengers: Endgame, Star Wars: Episode 9 – The Rise of Skywalker, The Lion King, Frozen II, Toy Story 4, Captain Marvel, Spider-Man: Far from Home, Aladdin, Joker and Jumanji: The Next Level … Would any of these films make Dean and Phil’s lists of the best films of 2019? Find out this week as your friends in podcasting count down their Top Ten Films of 2019!
Your friends in podcasting get 2019 underway with this epic 69 minute installment. As you loyal listeners know, last week, Dean and Phil only got through the first nine months of 2018 as they examined how and when the 52 best films (according to critics) and some of the biggest hits were released. This week, Dean and Phil tackle the final three months of the year, discussing no less than 20 awesome movies. Then, they switch gears to briefly discuss episodic binge-watching, tackling several television shows, including “The Man in the High Castle”, “The Marvelous Mrs. Maisel”, “Norm Macdonald Has a Show” and more! Finally, Dean and Phil wrap things up by celebrating the lives of a brilliant comedic actor, the male half of one of the most iconic recording duos of the 1970’s, and a nun who became a television star. Happy New Year from YOUR Chillpak Hollywood Hour!
When does one planned show become TWO shows? When Dean and Phil are recording in person in Los Angeles! Dean stopped by the historic building Phil calls home (where Oscar-nominated filmmaker Adam McKay once resided) and on this episode they discuss such wide-ranging topics as the death and life of U.S. President George H.W. Bush, the forthcoming film Vice (from Adam McKay!) about former vice-president Dick Cheney, some good news coming out of the recent California fires, the live variety stage show Phil produced on his 50th birthday, Dean’s efforts to pack up his L.A. abode and his recent Michigan adventures. All that plus a plug for their dark comedy The Lady Killers in the wake of the #MeToo moment for Neil Degrasse Tyson, and an Oscar-winning filmmaker and a legendary magician turned character actor are remembered in “Celebrity Deaths”.
Dean Haglund shares news of his weekly pay-per-laughs improv show where he performs an episode of “The X-Files” live on-stage in Sydney. Phil Leirness reports on his visit to the restored, remodeled and re-opened Los Angeles landmark Clifton’s Cafeteria. Phil then gets on a soapbox about the true purpose of Thanksgiving and the true meaning of gratitude. A legend of Japanese cinema is remembered. A classic of sci-fi cinema is celebrated … And then, your friends in podcasting rush headlong into “the season of self-congratulation”, a time when award-hopeful movies are released en masse and award nominations and film critic top ten lists are announced almost daily. This week, award hopefuls like “Bridge of Spies”, “The Danish Girl” and “The Big Short” and box office blockbusters like “Spectre” are discussed and the Spirit Award nominations (for the best in independent film) are analyzed.