Because Dean will be traveling to the UK, next week’s episode will be a special, pre-recorded, “theme” show. On this week’s show, Dean previews his trip. Phil shares an email from a loyal listener like you (YES, YOU!) about a rare and hard (impossible?) to find program from 30 years ago. That leads to a tribute to the late, great Robert Morse. Phil then pays tribute to a friend of his, a fixture of The Los Angeles Breakfast Club, who was as old as that 97 year-old club of hospitality and friendship when he died this past month. Phil also previews a speech he is giving this week at the club about Asian American Pacific Islander Heritage Month. Phil’s recently-acquired appreciation for the greatness of James Mason takes another turn and leads to an appreciation of the greatness of Paul Newman! Dean’s recent derision for all things Michael Mann gets explored and several of the most beloved AND a couple of the most under-appreciated crime films of the past 40 years get examined. Finally, Dean and Phil discuss the differences between disrespect and irreverence, the necessity of the latter and the unhealthy aspects of the former. Somehow this discussion involves both This is Spinal Tap and Elon Musk! From the heart-tugging to the thought-provoking, from the groan-inducing to the funny-bone tickling, it’s all on the menu!
Phil has been chasing trains all over California and he has stories. St. Patrick’s Day was this past week and Dean and Phil have jokes about that. In “Celebrity Deaths”, Oscar-winning actor William Hurt gets remembered and the controversy surrounding celebrations of his legacy will get examined. Star of the original “Godzilla” and a great story about him get discussed, and before the Chillpak Morgue closes, R&B great Timmy Thomas has his praises sung. This is, of course, the biggest week in Hollywood and Dean and Phil “go to the movies” to discuss Steven Spielberg’s next film (a sequel to a 1960s classic), the brilliance and pain and artistry of Richard Pryor as seen in Richard Pryor Live on the Sunset Strip and the inspiring visual storytelling on display in the works of Paolo Sorrentino, specifically his current Oscar nominee for Best International Film, The Hand of God.
Your friends in podcasting get 2019 underway with this epic 69 minute installment. As you loyal listeners know, last week, Dean and Phil only got through the first nine months of 2018 as they examined how and when the 52 best films (according to critics) and some of the biggest hits were released. This week, Dean and Phil tackle the final three months of the year, discussing no less than 20 awesome movies. Then, they switch gears to briefly discuss episodic binge-watching, tackling several television shows, including “The Man in the High Castle”, “The Marvelous Mrs. Maisel”, “Norm Macdonald Has a Show” and more! Finally, Dean and Phil wrap things up by celebrating the lives of a brilliant comedic actor, the male half of one of the most iconic recording duos of the 1970’s, and a nun who became a television star. Happy New Year from YOUR Chillpak Hollywood Hour!
In the second of two face-to-face episodes recorded this past week while Dean was in Los Angeles, your friends in podcasting discuss two “Celebrity Deaths” and three current cinematic releases. The creator of “SpongeBob SquarePants” and the woman who co-wrote “American Graffiti” and who gave Princess Leia her fighting, courageous spirit are the celebrities remembered by Dean and Phil. The documentary “They’ll Love Me When I’m Dead” (about Orson Welles’ 15 year-long effort to make the unparalleled “The Other Side of the Wind”), the heist thriller “Widows” from director Steve McQueen (“Shame”, “12 Years a Slave”) and “If Beale Street Could Talk” from director Barry Jenkins (“Moonlight”) are the movies Dean and Phil go into great depth discussing. on YOUR Chillpak Hollywood Hour.
It’s a special Top Ten show! Your friends in podcasting count down their all time favorite War Films! It’s amazing how many different sub-genres of war films, Dean and Phil discover and more than thirty films actually get discussed. Trust us – It’s totally awesome.
The great film theorist André Bazin described the genre of the movie western as “the American film par excellence.” Your friends in podcasting could not agree more! That’s why on this week’s show (their 2nd of 10 “Top Ten” shows commemorating this, the 10th year of YOUR Chillpak Hollywood Hour), Dean and Phil count down their Top Ten All Time Westerns.
What films will make the list? What films won’t? Will Dean have difficulty numbering 10 to 1?
These questions and many more will be answered during the next 75 minutes. Enjoy!
Hear all about Los Angeles’ design for a new green space that will rival Manhattan’s High Line (and will give bicyclists and pedestrians an uninterrupted path from Burbank all the way to downtown), learn why Canada doesn’t have game shows, remember L.A.’s first official film czar as well as a folk music icon and some of Philip Seymour Hoffman’s great on-screen roles, and appreciate the difference between “English” and “Irish” …
All that, PLUS, your friends in podcasting examine the storytelling in Harmony Korine’s The Spring Breakers, make sense of the success of The Lego Movie, the failure of The Monuments Men and the claim that Chris Pine’s days as a leading man are numbered following the failure of Jack Ryan: Shadow Recruit.
With a full week’s supply of insight, irreverence and inspiration, it’s YOUR Chillpak Hollywood Hour. Enjoy!
Has there ever been a more wild and free-wheeling grab bag of topics on a single installment of YOUR Chillpak Hollywood Hour as there is on this week’s show? Consider the topics discussed:
The mysterious death of Thomas Kinkade, the occult meaning of words and symbols, Dean Haglund running a 5K race, the legacy of Mike Wallace, the films of Guy Maddin, the latest in the MPAA’s battle with The Weinstein Company over the rating of Bully. All that, plus your friends in podcasting weigh in on a documentary about Comic-con, a Woody Allen drama, a John Cassavetes classic, two great, award-winning independent films from last year (one from the UK, one from South Korea). And on top of all of that, we even have a brand new theme song by The B-Film Extras!