Phil is in Malta. Before he left, he sent Dean an itinerary of his trip. Dean was aghast. That itinerary was a jam-packed 7 pages of information about travel, accommodations, meals, beverages, sites and activities. On this week’s show, recorded prior to departure, Phil sat still long enough to answer Dean’s questions about the trip. 

As we approach Halloween, the spooky and the scary are foremost on the minds of Dean and Phil, and we aren’t just talking about the actors’ negotiations with the giant media companies! Of course, your friends in broadcasting and podcasting DO talk about those negotiations, but they also discuss such spooky films as the 1980s vampires-with-great-hair spectacle The Lost Boys, the influential Ingmar Bergman classic The Magician, the beloved modern Japanese masterpiece Ring, Disney’s misbegotten Haunted Mansion, Alex Garland’s fascinating Men, and the “Citizen Kane of horror movies”, 1973’s The Wicker Man. All that, plus two non-scary recent releases, the Guy Ritchie-directed spy comedy Operation Fortune: Ruse de Guerre and the Ashley Park-starring Joy Ride get reviewed, and the beloved Oscar-nominated character actor Burt Young gets remembered in “Celebrity Deaths”.

 

Dean (in Detroit) and Phil (in Los Angeles) celebrate the lives of three amazing women: Performer-turned-novelist Echo Brown, Pilot-turned-architect Beverly Willis, and Detroit’s very own screen legend Piper Laurie. The latest implosion in the negotiations between the actors and the studios gets discussed, analyzed, and what it means for TV and Film production gets predicted. Where television is concerned, your friends in podcasting and broadcasting offer up thoughts on the recent social media furor surrounding Martin Short, and the merits of “Only Murders in the Building” season 3, “Reservation Dogs” season 3, and “Our Flag Means Death” season 2. Where movies are concerned, Dean checks in with a review of The Creator, while Phil weighs in on William Friedkin’s final film and Wes Anderson’s brand new Roald Dahl adaptations for Netflix.

This week’s Canadian Thanksgiving installment features follow-ups on several topics from past episodes: Are the most important pop culture figures of the last quarter of the 20th century all named “David”? Why is contemporary art so abundant with creativity and so full of joy? What are some of the most thrilling aspects of Bonaventure Cemetery in Savannah, Georgia? And speaking of Savannah, why is The Pirate House so darn haunting? In addition to those follow-ups, Phil has been researching “Trainee” programs offered by the Writer’s Guild in the wake of their (tentative) deal with the producers. And a loyal listener has thoughts about the best/worst actors to play Hercule Poirot on the big screen. This last leads into Dean’s thoughts about Kenneth Branagh’s A Haunting in Venice before three films starring the great Dirk Bogarde, the soulfulness of Oliver Reed and a brilliant, unheralded masterpiece by the late William Friedkin all get discussed. Finally, in “Celebrity Deaths”, a beloved star of “The Man from U.N.C.L.E.” (and “NCIS”) gets remembered.

This week’s show covers a lot of ground thematically AND geographically! The death of João Donato takes us to Brasil and the era of bossa nova. The death of Dianne Feinstein takes us back to San Francisco of 1978. The death of Jane Birkin inspires discussion of her daughters, fashion, Hercule Poirot, Dirk Bogarde, and Jim Thorpe, Pennsylvania! And the death of Sir Michael Gambon inspires Phil to get up on his soapbox railing against those who think of the great actor as “Dumbledore”! The charms of Savannah, Dean’s ongoing battle with Covid after-effects, the end of the Writer’s Strike, and murder mystery dinners are all on the menu as well!

Dean was still battling Covid and Phil was heading to Savannah, Georgia, so this week’s installment of was recorded several days early. In it, Dean offers suggestions to Phil of sites he should visit in the Hostess City of the South and Phil regales Dean with the history of the place where he would be staying. Dean and Phil preview what they expected to happen in the ongoing labor strife in Hollywood. A deep discussion of improv leads to Dean recounting a particularly hilarious scene in which he once performed. This leads to a preview of Richard Linklater’s new movie, Hit Man, and that leads to a discussion of two classic films celebrating anniversaries this year: the Hong Kong actioner Executioners (aka Heroic Trio 2) starring Anita Mui, Michelle Yeoh, and Maggie Cheung, which turns 30 this year, and perhaps the greatest concert film of all time, Jonathan Demme’s Stop Making Sense, which turns 40 this year and which has inspired Talking Heads reunions. Finally, a beloved English folk singer and a former piano prodigy get remembered in “Celebrity Deaths”.

Dean came back from PhileFest with a case of the Covid-19 and rumors about the forthcoming reboot of “The X-Files”. Phil questions him about both! Phil also asks about a potential guest on a forthcoming show, before sharing a story of how Ann Arbor, Michigan was named for a family member. Last week’s discussion of some great contemporary Japanese cinema leads to a follow-up about Japan’s entry into this year’s Academy Awards before another cinematic follow-up involves great films made in secrecy. A long overlooked, spooky classic from the 1970s gets celebrated and the latest, rather disturbing news from the Hollywood picket lines gets discussed. Finally, in “Celebrity Deaths”, a game show legend, a multiple Emmy Award-winning actor, a chart-topping singer, and two stand-up comedians get remembered.

This week’s show spans three weeks, three cities, and three different time zones. It starts with a conversation about the Detroit Institute of Art and the “Murder She Wrote” board game, recorded in Birmingham, Michigan, during a terrifying storm. It continues with a conversation recorded for last week’s show about a message Dean received from a fan and about Phil’s enjoyment of the FX revival series “Justified: City Primeval”. Then, after the break, Dean checks in from Minneapolis and the PhileFest celebrating the 30th Anniversary of “The X-Files”. He reports on all the goings-on, including the comedy, the fans, the stars and the possibly forthcoming reboot of the show from Ryan Coogler. Finally, Dean and Phil turn their attention to the just-concluded Venice Film Festival, to an award-winning Japanese filmmaker and to movies made in secret.

This week’s episode is quite the mélange and it begins with a cold open featuring a musical duet recorded late at night in Dean’s Motor City-adjacent home last week while Phil was visiting. Then, it is back to the “now” with Dean previewing his forthcoming trip to Minneapolis for a convention celebrating the 30th anniversary of “The X-Files” and Phil reveals the challenges he faced getting home from Detroit. Then, Phil reveals the latest show business strikes news and Dean offers up another vintage television series, this one an exemplar of Scandinavian Noir. In the return of “What We’re Reading”, Dean and Phil reveal the books that have garnered their attention, including a memoir, classic literature, historic fiction, poetry, music analysis and a guidebook. The phenomenon that is Oppenheimer gets discussed, as does large format film exhibition. Finally, in “Celebrity Deaths”, Jimmy Buffett gets remembered (as do his cafes and hotels!).