In a truly confusing, but nevertheless hilarious, cold open, Phil offers a correction about “Malta Air”. Thanks to emails from loyal listener and frequent contributor Maurice Terenzio, Dean and Phil have a ball talking about three great actors of Hollywood’s golden age: Joe E. Brown, George Raft and Edward G. Robinson. The big show biz news of the week get discussed: the possible halt to the Paramount-Warners merger and the historic box office success for Christopher Nolan’s The Odyssey. Two new movies get reviewed: The brilliant comedy Stop! That! Train! and the hit Netflix offering Enola Holmes 3. Of course, Dean and Phil continue their ongoing film noir and neo-noir discussion, focusing on the nihilism of the 1970s as depicted in such modern classics as Arthur Penn’s Night Moves and the Paul New man vehicle The Drowning Pool. Finally, colleague Marc Hershon (star of the “Chillpak Hollywood Presents …” podcast Television with Marc Hershon) drops in to help your friends in podcasting come up with ideas for how they can commemorate their upcoming 1,000 episode, and to discuss ideas for Phil’s next movie, a documentary all about improv!

It was a rough weekend for Dean Haglund, whose beloved Doberman, Leeloo, is undergoing emergency spinal surgery as we publish this show. It has also been a rough week for the media business where fear over job loss is concerned. In the UK, ITV has been taken over by Sky and several more television mergers, and downsizings, seem to be in the offing. In the U.S. Netflix is mulling a major expansion, and distribution company NEON has sold a major stake to production company Department M in hopes of massively “scaling up” operations. Dean and Phil have all this “business of show” news covered. Then, they go into detail analyzing Disclosure Day as a definitively “American” movie, and Guy Maddin’s Careful as a definitively “Canadian” one. Then, their ongoing discussion of film noir and neo-noir continues, with some key questions being asked and at least one truly awful neo-noir getting discussed in depth.

Because Phil is on the road, tending to family matters, this week’s show was pre-recorded last week and much of the episode is dedicated to discussing two icons: The historic landmarked Mayan Theatre in downtown Los Angeles closed its doors for good on September 14, and the great leading man, filmmaker, and supporter of the arts and the environment, Robert Redford, left the stage on September 16. Dean and Phil do a deep dive into Redford’s career and accomplishments and put his 1974 starring vehicle The Great Gatsby under the microscope. This leads to a discussion of lead characters, often seen as heroes, who suffer the delusions caused by their own fantasies. Such characters include Holly Martins in The Third Man and Rick in Casablanca. The dangers of fantasy prove the perfect segue way to Phil’s thoughts upon finally having watched James Gunn’s Superman. Then to wrap up this jumbo installment of YOUR Chillpak Hollywood Hour, the devilishly haunting, and rather delightfully macabre 1964 suspense picture from Japan, Onibaba gets celebrated.

If you are interested in movies, movie making, or the movie business, you are going to find this week’s show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country’s 100-percent Capital Cost Allowance tax shield for investors, Jon Voight’s plan to save Hollywood and the wildly different reactions to that plan within the industry, the ways the smash hit Sinners might change the economics of the biz, and the just-commenced 78th Cannes Film Festival (including one apparent all-time masterpiece that made its debut as well as a “secret” documentary about the Red Hot Chili Peppers). As if that weren’t enough, your friends in podcasting go overtime to remember two impactful filmmakers, an Oscar-winning makeup artist, a beloved big screen “tough guy”, and a prolific child star of the 1930s and 40s.

Dean (in Detroit) and Phil (in Los Angeles) celebrate the lives of three amazing women: Performer-turned-novelist Echo Brown, Pilot-turned-architect Beverly Willis, and Detroit’s very own screen legend Piper Laurie. The latest implosion in the negotiations between the actors and the studios gets discussed, analyzed, and what it means for TV and Film production gets predicted. Where television is concerned, your friends in podcasting and broadcasting offer up thoughts on the recent social media furor surrounding Martin Short, and the merits of “Only Murders in the Building” season 3, “Reservation Dogs” season 3, and “Our Flag Means Death” season 2. Where movies are concerned, Dean checks in with a review of The Creator, while Phil weighs in on William Friedkin’s final film and Wes Anderson’s brand new Roald Dahl adaptations for Netflix.

We hope you enjoyed last week’s special episode celebrating the cinematic legacies of two of Hollywood’s greatest actor/producers – Kirk Douglas and Burt Lancaster. This week is part 2 of that conversation, and covers the years 1960-1990. Some great movies, some horrible but (unintentionally) hilarious movies, and some fascinating stories of acting and filmmaking will get discussed.

Welcome to an excellent installment of your Chillpak Hollywood Hour that begins with tales of springtime before a couple of great soapbox moments courtesy of the “sensitivity editing” of Agatha Christie and newspaper headline treatments of black men in the media. An actress who starred in many beloved projects, a screenwriter behind crowd-pleasing movies, a singer in a legendary doo-wop band and the designer responsible for the way Phil smelled throughout his teens and twenties (!) all get remembered in “Celebrity Deaths”. Dean champions Cocaine Bear, Elizabeth Banks, and the return of Nicolas Cage (not that he went anywhere). Phil regales with amazing original casting choices for a couple of popular recent films before launching into an appreciation of the fable-making on display in John Wick: Chapter 4.

Dean is back from the UK and reports on his travels. Phil has been availing himself of classic movies and has thoughts on an indie gem from the 1980s, a mind-bending oddity from Joseph Losey, and a 1960 epic about the founding of Israel. The episodic series “Space Force”, “Barry” season 3, “Our Flag Means Death”, “Hacks” season 2, “The Book of Boba Fett”, “Obi-Wan Kenobi” and season 2 of “The Mandalorian” get discussed. Four giants of the music industry and 3 beloved character actors get remembered in “Celebrity Deaths”. Finally, Dean and Phil explain why Tom Cruise was probably the perfect person to produce and star in a brilliant sequel 36 years after the original, and Phil shares some inspiring words relating to Asian American Pacific Islander Heritage Month.

Because Dean will be traveling to the UK, next week’s episode will be a special, pre-recorded, “theme” show. On this week’s show, Dean previews his trip. Phil shares an email from a loyal listener like you (YES, YOU!) about a rare and hard (impossible?) to find program from 30 years ago. That leads to a tribute to the late, great Robert Morse. Phil then pays tribute to a friend of his, a fixture of The Los Angeles Breakfast Club, who was as old as that 97 year-old club of hospitality and friendship when he died this past month. Phil also previews a speech he is giving this week at the club about Asian American Pacific Islander Heritage Month. Phil’s recently-acquired appreciation for the greatness of James Mason takes another turn and leads to an appreciation of the greatness of Paul Newman! Dean’s recent derision for all things Michael Mann gets explored and several of the most beloved AND a couple of the most under-appreciated crime films of the past 40 years get examined. Finally, Dean and Phil discuss the differences between disrespect and irreverence, the necessity of the latter and the unhealthy aspects of the former. Somehow this discussion involves both This is Spinal Tap and Elon Musk! From the heart-tugging to the thought-provoking, from the groan-inducing to the funny-bone tickling, it’s all on the menu!

A lot of post-production work went into making this one of our best shows of the year! Dean regales with stories of drinking and jury duty, Phil remembers dear friend and true iconoclast Konrad Monti. Dean and Phil discuss Amazon’s “The Boys” (a show Dean might have actually influenced!) and the dire future of movie-going in the wake of James Bond and “Black Widow” being pushed again, which led to the 2nd largest U.S. theater chain closing, while the first largest still hasn’t fully re-opened! A terrific, and highly musical “Celebrity Deaths” involves celebrations of a great jazz musician (and subject of an awesome Netflix documentary), songwriter-singer-turned-actor Mac Davis, and 70’s-pop-queen-turned-therapist Helen Reddy! Finally, we transport you back to a certain rooftop in the historic L.A. neighborhood of Los Feliz for the conclusion of Dean and Phil’s ruminations on what filmmakers might make the list of their all-time favorites.