Dean and Phil have quite the array of topics to discuss, including a recent Marvel film, a Neil Simon comedy from the 1970s, all the big award-winners at the recent Cannes Film Festival, and a director’s cut of Chris Carter’s The X-Files: I Want to Believe. Both the Australian and the American versions of “Laid” get discussed, and art, architecture, history and more get discussed in the return of “What We Are Reading”. Two beloved television stars and a legendary comedian get remembered in “Celebrity Deaths”. Finally, good pal of the show Marc Hershon drops by to offer up two new television show recommendations that both sound awesome!

As we approach Halloween, the spooky and the scary are foremost on the minds of Dean and Phil, and we aren’t just talking about the actors’ negotiations with the giant media companies! Of course, your friends in broadcasting and podcasting DO talk about those negotiations, but they also discuss such spooky films as the 1980s vampires-with-great-hair spectacle The Lost Boys, the influential Ingmar Bergman classic The Magician, the beloved modern Japanese masterpiece Ring, Disney’s misbegotten Haunted Mansion, Alex Garland’s fascinating Men, and the “Citizen Kane of horror movies”, 1973’s The Wicker Man. All that, plus two non-scary recent releases, the Guy Ritchie-directed spy comedy Operation Fortune: Ruse de Guerre and the Ashley Park-starring Joy Ride get reviewed, and the beloved Oscar-nominated character actor Burt Young gets remembered in “Celebrity Deaths”.

 

Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.

This week, YOUR Chillpak Hollywood Hour turns 15 years old! And Season 3 Episode 13 features several anniversary celebrations, including wisdom from a special guest, a story from Dean about why he is no longer a vegetarian and the return of a classic movie ad from the Vintage Movie Ad Game that saw Dean and Phil through the pandemic! There is also an email from a loyal listener who both asks a question and throws accolades in the direction of longtime friend of the show, Page Branson. Movies and moviemakers get discussed, including the very first big-budget, major studio adaptation of a television series, and the great director of last year’s Oscar-winning Drive My Car. Bill Murray has found himself in a lot of hot water. Dean and Phil will tackle the controversy, Bill Murray’s thoughtful response, and discuss empathy in great detail. Finally, in “Celebrity Deaths”, a rock drummer, a country music legend, a teen idol, and a chart-topping singer all get remembered.

 

 

 

 

Your friends in podcasting celebrate summer and the traditional “summer movie season” with a show full of great movie directors. First, Dean and Phil remember three groundbreaking directors in “Celebrity Deaths” – one of whom directed some of the best box office hits of the 70’s, 80’s and 90’s, one of whom was a key figure in underground cinema and one of whom directed one of the greatest American movies of all time! Such titans of international cinema as Francois Truffaut and Sweden’s Roy Andersson get their turns in the spotlight as well. Then, it turns out one of the greatest filmmakers of our era has purchased one of greatest movie theaters in the world. Dean and Phil discuss what this portends for the future of movie-going. Finally, one brand new movie release from Oscar-winner Steven Soderbergh and one classic Australian film from Bruce Beresford get appraised, before a long-promised Aussie-themed edition of our Vintage Movie Ad game gets played!

Reunited and it feels so good … ” Your friends in podcasting convened on a rooftop in historic Los Feliz, overlooking the skyline of downtown Los Angeles to pre-record this week’s episode of YOUR Chillpak Hollywood Hour. Pour yourself a pitcher of Lord Turlocks (the cocktail Dean and Phil have made up to honor the recent creation of the Chillpak Hollywood Drinking Game wherein listeners take a shot every time the town of Turlock gets mentioned), sit back and relax as Dean and Phil shoot the breeze about jury duty, air travel in the age of Covid-19, Monday Night Football, Las Vegas, Liberace, “Fargo” season 4, “Schitt’s Creek”, “Crashing”, the Emmy Awards, deconstructionism, ageism in Hollywood, a lawsuit against IMDB, and more. They wrap things up by discussing several of Dean’s favorite filmmakers of all time.

Phil’s unexpected need to spend summer away from Los Angeles took another turn on Friday when his father died. On this week’s show, he shares memories of his dad. He and Dean also celebrate the lives of the director of numerous box office blockbusters, a giant in animated filmmaking, a legendary comic book artist, and an influential novelist. They will discuss a couple great television series that may be worth your time. Finally, they champion the absurdist cinema of Roy Andersson. From the heartfelt to the absurd, we trust there will be something for everyone on this week’s installment of YOUR Chillpak Hollywood Hour!

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

A true prodigy, singer-songwriter EmiSunshine earned national attention before she was ten years old. Now, still shy of her sixteenth birthday, EmiSunshine is a skillful and soulful purveyor of the music genre known as Americana. After playing one of her brand new tunes, Dean Haglund interviews her in the first half of this week’s show and she even shares a ghost story! In the second half of the show, Dean reviews Leigh Whannell’s The Invisible Man and Phil shares with Dean a hilarious story about a mutual friend’s adventures in screenwriting. Finally, Dean and Phil celebrate the peerless cinematic legacy of the great Max Von Sydow. Something for everyone? We like to think so!

Another show 10 years in the making! Dean Haglund and Phil Leirness ring out 2019 by counting down their Top Ten lists of the Greatest Films of the Decade! Get that popcorn ready (and keep those Netflix queues handy) because we’re going to the movies …