Dean was still battling Covid and Phil was heading to Savannah, Georgia, so this week’s installment of was recorded several days early. In it, Dean offers suggestions to Phil of sites he should visit in the Hostess City of the South and Phil regales Dean with the history of the place where he would be staying. Dean and Phil preview what they expected to happen in the ongoing labor strife in Hollywood. A deep discussion of improv leads to Dean recounting a particularly hilarious scene in which he once performed. This leads to a preview of Richard Linklater’s new movie, Hit Man, and that leads to a discussion of two classic films celebrating anniversaries this year: the Hong Kong actioner Executioners (aka Heroic Trio 2) starring Anita Mui, Michelle Yeoh, and Maggie Cheung, which turns 30 this year, and perhaps the greatest concert film of all time, Jonathan Demme’s Stop Making Sense, which turns 40 this year and which has inspired Talking Heads reunions. Finally, a beloved English folk singer and a former piano prodigy get remembered in “Celebrity Deaths”.
Rabbit, Rabbit! Welcome to May and welcome to the final show of year 15 of YOUR Chillpak Hollywood Hour where Dean and Phil get the ball rolling by discussing the obituary fictional character Dame Edna wrote for her creator prior to his death. Phil remembers the legendary playwright Robert Patrick and he and Dean ponder the life – not the legacy – of the woman who falsely accused Emmett Till. Then, in “Celebrity Deaths”, the towering artistry and humanity of Harry Belafonte gets discussed, as does Belafonte’s friendship with Sidney Poitier. The latest in the pending Writer’s Strike gets analyzed. Facts surrounding three movies discussed last week get revealed, the 1996 classic Irma Vep starring the incomparable Maggie Cheung gets revisited, and the countdown to the end of Netflix results in analysis of both Sean Baker’s Red Rocket and Mike Mills’ C’mon C’mon. Finally, the concluding seasons of “Succession” and “Barry” get hailed.
Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.