Our final installment of 2025 finds your friends in podcasting discussing Dean’s holiday travels, the health of Phil’s wife, the latest on the sale of Warner Bros. Discovery and the use of AI (and self-learning programs) in a wide array of fields. Then, Dean and Phil get down to the serious business of discussing such award-hopeful movies as The Secret Agent and Jay Kelly, the comfort food that is “Spinal Tap II” and such holiday comfort viewing as National Lampoon’s Christmas Vacation and holiday specials A Charlie Brown Christmas and A Very Murray Christmas.

Dean and Phil have quite the array of topics to discuss, including a recent Marvel film, a Neil Simon comedy from the 1970s, all the big award-winners at the recent Cannes Film Festival, and a director’s cut of Chris Carter’s The X-Files: I Want to Believe. Both the Australian and the American versions of “Laid” get discussed, and art, architecture, history and more get discussed in the return of “What We Are Reading”. Two beloved television stars and a legendary comedian get remembered in “Celebrity Deaths”. Finally, good pal of the show Marc Hershon drops by to offer up two new television show recommendations that both sound awesome!

It’s Memorial Day in the USA. Dean Haglund in Michigan and Phil Leirness in California are joined by Jon Lawlor in New Jersey to discuss New Jersey Transit, the importance of celebrating everyone, and the challenges involved when someone you meet or care about is experiencing memory loss issues. May is also Asian American and Pacific Islander Heritage Month in the USA. To celebrate this, Phil sits down for an in-depth personal interview with a giant of the AAPI community, and a legendary actress who made her mark on stage, on screen, and in voice work. Takayo Fischer has worked in huge movies, with legendary stars, has been a fixture on television for decades, has lent her voice to many animated programs, and has worked on iconic stage projects with major talents of the 20th and 21st Century. The story of how she got to the stage is unlike any other.

If you are interested in movies, movie making, or the movie business, you are going to find this week’s show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country’s 100-percent Capital Cost Allowance tax shield for investors, Jon Voight’s plan to save Hollywood and the wildly different reactions to that plan within the industry, the ways the smash hit Sinners might change the economics of the biz, and the just-commenced 78th Cannes Film Festival (including one apparent all-time masterpiece that made its debut as well as a “secret” documentary about the Red Hot Chili Peppers). As if that weren’t enough, your friends in podcasting go overtime to remember two impactful filmmakers, an Oscar-winning makeup artist, a beloved big screen “tough guy”, and a prolific child star of the 1930s and 40s.

Because Phil is still traveling in Europe, this week’s episode is a very special show. Several weeks back, Slate published a “hit piece” on the comedic actor Martin Short, questioning his talent, his career, and accusing him of being nothing but annoying (while also acknowledging that he might just be the most genuinely decent and kind person in show business). Many people have weighed in and come to Martin Short’s defense since that article. This week, Dean and Phil take their turn, as they count down their all-time Top Ten “Martin Shorts”. Grammatically incorrect? Sure. Fascinating and hilarious? You bet!

Dean (in Detroit) and Phil (in Los Angeles) celebrate the lives of three amazing women: Performer-turned-novelist Echo Brown, Pilot-turned-architect Beverly Willis, and Detroit’s very own screen legend Piper Laurie. The latest implosion in the negotiations between the actors and the studios gets discussed, analyzed, and what it means for TV and Film production gets predicted. Where television is concerned, your friends in podcasting and broadcasting offer up thoughts on the recent social media furor surrounding Martin Short, and the merits of “Only Murders in the Building” season 3, “Reservation Dogs” season 3, and “Our Flag Means Death” season 2. Where movies are concerned, Dean checks in with a review of The Creator, while Phil weighs in on William Friedkin’s final film and Wes Anderson’s brand new Roald Dahl adaptations for Netflix.

This week’s show opens with a brief interview with one of the stars of a “Live Event of the Week”. Dean is in Washington, D.C. and he gives a full report on one of the most beautiful road trip sights he has seen and an exhibit at the National Gallery focusing on Joseph Singer Sargent. Phil has just returned from his (penultimate?) trip to Turlock to finalize “family business” and he is in an exhausted, tormented, philosophical mood, opining on family, marriage, and alternate universes. The comedy of the Marx Brothers, Billy Wilder, Marilyn Monroe and See How They Run gets dissected, and in “What We’re Reading” the art of Edward Hopper, the comedy of Martin Short and the poetry of Betsy Holleman Burke get discussed. Finally, in “Celebrity Deaths”, the lives and legacies of a Canadian voice actor, a Japanese star of an American miniseries, a blues singer, a sitcom producer and a law student-turned-best selling novelist all get explored.

During this week’s cold open, Dean and Phil finish up their discussion of Marlon Brando and Jack Lemmon, offering up some final movie recommendations. Phil is back after a lengthy trip to the east coast and he returns with tales of a Shakespeare Theater production about Leonardo Da Vinci and thoughts inspired by Hurricane Ian about how human beings become fixated on the statistically anomalous and he also shares with Dean the exciting way in which their former podcasting home – the Eastern Columbia Building – had a starring role in the new season of Amazon’s fashion competition show “Making the Cut”. Loyal listener Maurice Terenzio checks in with a thought-provoking email that brings the conversation back to Marlon Brando before the return of Lawsuit of the Week focuses Dean and Phil’s attention onto the ill-fated Alec Baldwin western Rust. Celebrity Deaths begins by bringing the conversation once again back to Marlon Brando (!) with a remembrance of activist and artist Sacheen Littlefeather. Many other notables get remembered as well, including an Oscar-winning actress, a comedic “love goddess”, a comic book artist who dazzled live audiences, and a chart-topping rapper-turned-reality star. Finally, two movies get reviewed: the current whodunit theatrical release See How They Run and the 2020 Netflix offering from Charlie Kaufman, I’m Thinking of Ending Things.

This week, Dean and Phil pick up right where they left off … With Dean enjoying the weather in Michigan, Phil in COVID isolation in Los Angeles, and Robert Blake’s Cinefantastique interview about David Lynch’s Lost Highway providing the basis for a “cold open”. The themes of transition, embracing what wants to come forward, emotional intelligence and more get explored deeply in the wake of the death of Queen Elizabeth II. The Royal-themed discussion doesn’t end there, as Pablo Lorrain’s Princess Diana biopic Spencer goes under the microscope. That just starts the movie talk, though, as after raving about Joanna Hogg and her films The Souvenir and The Souvenir: Part II, Phil previews her new film, a mysterious ghost story, The Eternal Daughter, which premiered at the Venice Film Festival. Praise gets heaped upon filmmaker Steve McQueen and two of the films he made for his “Small Axe” series available on Prime: Mangrove and Lovers Rock. Finally, Dean and Phil wrap things up by analyzing three comic book movies (and the industry built on comic book movies): Taika Waititi’s Thor: Love and Thunder, Daniel Espinosa’s Morbius, and Baz Luhrmann’s Elvis (NOT a comic book movie, you say? Just listen – you might change your mind!).

 If you’re in the USA, we hope you are having/had a wonderful Labor Day. If you are elsewhere in the world, we wish you a wonderful Monday! Either way, we think this installment of YOUR Chillpak Hollywood Hour will help you get the week off to a good start! Phil is playing hurt, battling COVID, migraines AND the intense L.A. heat wave, yet nevertheless brings his “A” game as he and Dean take their talk of “transitions” to a whole new level, thanks to a beautiful email from a listener like you (yes, YOU!). Dean saw Bullet Train and has a lot of thoughts. Phil weighs in on The Souvenir: Part II and shares a wonderful story about acting based on Robert Blake’s experiences making David Lynch’s Lost Highway.