In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.

Your friends in podcasting (AND broadcasting!) have quite the week to discuss! As the holidays approach, and Covid-19 dashes Dean’s travel plans, Awards Season in Hollywood gets underway. The National Board of Review and the New York Film Critics Circle announced their winners of the best in cinema for 2021, and a consensus has begun to form through critics Top Ten lists about the best of the year in television. Dean and Phil discuss it all. They also try to make sense of the latest in the accidental shooting on the set of “Rust”. A whole lot of classic films get discussed, including which films may have best depicted what life in America was really like in the mid-1980’s. A new documentary series about The Beatles from Peter Jackson gets reviewed and four actors and a musician get remembered in our penultimate installment of “Celebrity Deaths” for 2021. If nothing else, you will learn that the movie Beau Geste is NOT the movie Gunga Din and director Wim Wenders is NOT director Werner Herzog.

After a funny cold open where Dean tells about another of his haunted house adventures, Dean and Phil kick off this week’s show by sharing what they are thankful for during this Thanksgiving week, Dean battling Covid-19, Phil reflecting on his mother’s death two years ago. The career of Dean Martin, his work with Jerry Lewis, and a terrific TCM documentary “Dean Martin: King of Cool” all get discussed. A great jazz film from the 1980s, Round Midnight, and the “sacred” aspect of cinema get celebrated. The box office success of Ghostbusters: Afterlife and No Time to Die get analyzed through a very optimistic lens. In “Celebrity Deaths”, Dean’s love of funk gets exposed, as two great funk stars get remembered, along with a star of HBO’s “Oz”. And speaking of HBO, Dean and Phil tease an upcoming discussion about HBO’s “Succession” and about Will Ferrell’s considerable behind-the-scenes clout in Hollywood.

Your friends in podcasting discuss one of the most sad Christmas celebrations in history, before discussing the deaths of a pop music star, a Native American character actor, a documentary filmmaker and the mayor of SF. Then, Phil turns his attention to one of the most surprising facts to come out of the Disney purchase of 21st Century Fox and Dean tries to calm him down. Then, they delve into the trouble engulfing Matt Damon, before weighing in on three brand new Oscar hopefuls: Downsizing (starring Mr. Damon), Phantom Thread (starring Daniel Day Lewis in his final role), and the rather miraculous All The Money In The World. All that, plus Kyle Machlachlan weighs in on whether “Twin Peaks: The Return” was a terrific season of a television series or whether it was one of the best feature films of the year, and a fantastic note from a loyal listener like you (yes, YOU!) is shared.