This week’s show begins with “What We’re Reading” and continues by asking such big questions as: Is the John Wick franchise the best action franchise ever? Is “Andor” the best iteration of Star Wars ever? Is “Severance” one of the best television series ever? Was there anything memorable from last week’s Oscar telecast? Are the prosecutors in the Alec Baldwin Rust shooting case arriving to work each day in a clown car? Was comic strip “Dilbert” a victim of cancel culture? Are the edited versions of the James Bond novels coming out an effort to get ahead of cancel culture or a shameless money grab? Both? Is Peacock’s “Poker Face” Rian Johnson’s remake of “Columbo” or “The Fugitive”? Or both? All that gets discussed and three popular actors get remembered in “Celebrity Deaths”.

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.