Our last show before our 18th Anniversary is also our last show to be recorded via Skype! It’s also an action-packed 72 minutes that boasts the return of “Lawsuit of the Week”, where Dean and Phil get down and dirty discussing the Paramount merger with Skydance, the fate of CBS’ long-running “60 Minutes”, DEI initiatives, the FCC and Trump advisor Stephen Miller. Several films get discussed in depth, including Easter Parade, Diary of a Mad Housewife and Meshes of the Afternoon – each of which leads to discussions about husband-wife creative teams. In “Live Event(s) of the Week”, the delightful TCM host Ben Mankiewicz and the super-talented “Medicine Woman” Veronica Osorio both get celebrated. “Celebrity Deaths” this week is a lightning round quiz edition featuring remembrances of a game show host, a child star, a TV cowboy, a Canadian movie director, an Emmy Award-winning dramatic actress who starred in and co-created one of the most legendary dramas of all time, a Tony-winning composer and lyricist, a rock drummer, and a neo-expressionist painter. Finally, Dean discusses the Seth Rogen-starring Apple TV+ series “The Studio”.

It’s April Fools’ Day, and what better way to celebrate than by spending an hour enjoying the spirited, irreverent conversation of two fools who have been changing the way people listen to the internet since May of 2007? This week, Dean and Phil discuss the stand-up comedy of Ali Wong, the performance artistry of Laurie Anderson, the beauty of the Fox Theatre in Detroit, the Orpheum Theatre in DTLA, the significance of the Tower Theatre just down the street from the Orpheum, and the Apple Store it now houses. They dig into “True Detective: Night Country”, and celebrate the great Japanese suspense picture Woman in the Dunes, marveling at the fascinating life of its director, Hiroshi Teshigahara. Two Francis Coppola epics, one disastrous, one just completed, both go under the microscope, and in “Celebrity Deaths”, two all-time great actors get remembered.

Spring has sprung in the Northern Hemisphere and the entertaining and insightful conversation is in full bloom on this week’s episode! The Daptone Records recording artists The Budos Band and that jewel of Los Angeles theaters, the Fonda Theatre, get celebrated in “Live Event of the Week”. Then, Dean and Phil reveal what television series they’ve been watching with extra special attention paid to the Alan Tudyk-starring “Resident Alien” and the Jeff Bridges-starring “The Old Man”. Things then turn to the big screen as Phil hails the greatness of the Detroit Film Theatre, Dean reviews Ghostbusters: Frozen Empire and Phil puts the entire Ghostbusters franchise and history under the microscope for analysis. Finally, a Japanese inventor who changed leisure activities the world over, and a groundbreaking filmmaker who launched an enduring cinematic franchise both get remembered in “Celebrity Deaths”.

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.