Because people have asked, on this week’s show, Dean and Phil will explain (yet again) why this is “Season 2” of YOUR Chillpak Hollywood Hour! They will also follow up on last week’s “Twelfth Night” episode all about Shakespearean film adaptations with stories about Peter Greenaway’s Prospero’s Books, the Shakespearean qualities of Dennis Villeneuve’s Dune and HBO’s “Succession”, Ralph Fiennes being inspired by The Hurt Locker when he made Coriolanus, and James Bond producer Albert “Cubby” Broccoli making an unfortunate comment about Shakespeare while appearing at the UCLA film school in the 1980s. The bulk of this week’s show will be about celebrating the lives and legacies of genuine cultural giants: Joan Didion, Desmond Tutu, Marilyn Bergman, Betty White and Peter Bogdanovich. Several movies, several television shows, much music, great writing, inspiring humanitarian efforts, and one amazing school all get discussed.
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.