This week’s show begins with “What We’re Reading” and continues by asking such big questions as: Is the John Wick franchise the best action franchise ever? Is “Andor” the best iteration of Star Wars ever? Is “Severance” one of the best television series ever? Was there anything memorable from last week’s Oscar telecast? Are the prosecutors in the Alec Baldwin Rust shooting case arriving to work each day in a clown car? Was comic strip “Dilbert” a victim of cancel culture? Are the edited versions of the James Bond novels coming out an effort to get ahead of cancel culture or a shameless money grab? Both? Is Peacock’s “Poker Face” Rian Johnson’s remake of “Columbo” or “The Fugitive”? Or both? All that gets discussed and three popular actors get remembered in “Celebrity Deaths”.

After a cold open in which Dean Haglund and Phil Leirness celebrate the fact that YOUR Chillpak Hollywood Hour becomes a teen-ager this week, they launch into what they do best, trying to make sense of a (Covid-19) world gone wild with humor, insight, irreverence and inspiration. In the return of “Wingnut of the Week”, Dean and Phil offer a wag of the finger at Covid-19 conspiracy theorists and a doff of the cap to UFO “truthers”. In “Celebrity Deaths”, they pay tribute to a true titan of comedy publishing and filmmaking, an international star who broke big in both Bollywood and Hollywood, a character actor-turned-casting director, an influential folk singer, and the musician who turned Hugh Grant into a pop star! Then, your friends in podcasting tackle how Covid-19 will affect the up-coming television season, and how it will affect the Oscars, before turning their attention to what years in cinema might rival 1962 as the best year ever for movies! 

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

In the second of two face-to-face episodes recorded this past week while Dean was in Los Angeles, your friends in podcasting discuss two “Celebrity Deaths” and three current cinematic releases. The creator of “SpongeBob SquarePants” and the woman who co-wrote “American Graffiti” and who gave Princess Leia her fighting, courageous spirit are the celebrities remembered by Dean and Phil. The documentary “They’ll Love Me When I’m Dead” (about Orson Welles’ 15 year-long effort to make the unparalleled “The Other Side of the Wind”), the heist thriller “Widows” from director Steve McQueen (“Shame”, “12 Years a Slave”) and “If Beale Street Could Talk” from director Barry Jenkins (“Moonlight”) are the movies Dean and Phil go into great depth discussing. on YOUR Chillpak Hollywood Hour.