Halloween week gets off to a spooky good start with this scary fun episode! Dean and Phil reveal “What We’re Reading” and both books involve France! In the return of “Live Event of the Week”, Dean talks farmers markets, and Phil talks an historic theater and a world premiere about inkblots and perception. Dan Lin is out as the film boss at Netflix and what this means for the future of the streamer and its possible future in theatrical exhibition gets discussed. Loyal listener Maurice Terenzio spills the tea on two actors discussed at length on last week’s show: Hans Conried and Errol Flynn. Loyal listener Amber has some final (?) thoughts about the Hans Conried vehicle The Twonky, reveals her favorite Hitchcock film and mentions the two films that provided her truly visceral experiences. Loyal listener G.V. wants Dean and Phil to see the current theatrical release of the restored director’s cut of Ken Russell’s The Devils, and many listeners want them to see the current box office smash documentary (docudrama? meta-doc?) You Can See Everything. Then, because spooky season is in full swing, Phil quizzes Dean about the 20 biggest horror hits of all time at the worldwide box office. After that, Phil rolls up his sleeves to discuss another horror film double-feature of titles included on the 2022 Sight and Sound poll of the greatest films of all time. Finally, Dean and Phil re-appraise Sofia Coppola and her Marie Antoinette in the wake of that film’s 20th anniversary.

This week’s show was recorded during the midst of Phil’s emceeing duties for the third annual Porchfest L.A. He offers a full report on this community event while also regaling with tale of the logistic showdown between Porchfest and No Kings! One of the things Dean and Phil mean when they say it is “your” Chillpak Hollywood Hour is that if you write them, and they find what you wrote interesting, they will read what you wrote on the show and respond to it! Three listeners did just that and so your friends in podcasting roll up their sleeves to discuss more about The Twonky and Suspiria, while offering appreciation for the star of The Twonky (Hans Conried) and the author behind the source material for Don’t Look Now. Dean watched the 1945 Errol Flynn war picture Objective, Burma! (from director Raoul Walsh) and not only has thoughts about it, but about the life and death of the great and troubled star. Phil caught up with a movie he has been dying to see since it debuted at Cannes in 2025, and found himself … unmoved. The show concludes with a Hitchcock double feature (The 39 Steps and North by Northwest), followed by a horror double feature (Psycho and The Texas Chainsaw Massacre).

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

Halloween is only eight weeks away, so your friends in podcasting thought it was the perfect time to reveal their Top Ten All-Time Horror Films! Such classics as the 1956 Invasion of the Body Snatchers, its 1978 remake, John Carpenter’s The Thing, The Devil’s Backbone from director Guillermo Del Toro, Abbott and Costello Meet Frankenstein and Cabin in the Woods all get discussed as “honorable mentions”. What films actually made Dean and Phil’s respective lists? Listen to find out! And keep those Netflix queues handy!