This week’s show begins with an email from a listener in Ireland about dialect coaches and “Hollywood accounting”. After that, Dean and Phil analyze the box office struggles of the brand new In the Heights and this inspires them to look back at two song and dance films that opened on the same day many years ago, both based on the same dance craze. It also inspires them to look ahead to big blockbuster hopefuls coming out this month as well as smaller “smart house” movies all looking for some post-pandemic domestic box office love. The Angelina Jolie vehicle Those Who Wish me Dead gets reviewed. Casting news for “John Wick 4”, the Marvel MCU and “Indiana Jones 5” gets discussed. Phil follows up on his discussion of “The Undoing” by singling out two actors (and their characters) who make the show ultimately worthwhile(ish). Dean offers up an English-language Netflix series shot in Sweden as a viewing recommendation, he regales with tales of the art work he has been creating, and he reveals another of his all-time favorite episodes of “The X-Files”. Finally, Dean and Phil compare notes on their travel plans for the summer before playing an entire four-round “Steven Seagal” edition of their Vintage Movie Ad game!
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.