Dean Haglund is back from Stockholm and he has brought tales of family mysteries with him! Because Dean is also jet-lagged, Phil Leirness figured this show was the perfect time to ask him about the science of combatting jet lag, about Melbourne, and about wildlife in Australia. Wildlife in Los Angeles, from bears to coyotes to one famous mountain lion, gets celebrated as well. Phil’s suspicions surrounding the lawsuit currently blocking Paramount’s merger with Warner Bros. get discussed. The recent “Deep Dive” Dean and Phil did into 1950s film noir gets re-visited and in the process, the work of writer A.I. Bezzerides, and the early works of Stanley Kubrick get dug into, while an email from Maurice Terenzio about an early work by great noir director Joseph H. Lewis gets shared. Dean watched a whole bunch of current or recent releases on his long flight back from Europe (3BHK, F1, Michael and Good Luck, Have Fun, Don’t Die) and Phil shares his thoughts about the current documentary about the late, great poet Mary Oliver. Even more movies than this get discussed, corrections get made and mea culpas are offered!

In some ways, Dean Haglund and Phil Leirness pick up where last week’s show (the one thousandth episode of YOUR Chillpak Hollywood Hour) left off, by reminiscing about a couple of their early years spent “changing the way people listen to the internet” and by examining more in the shifting release strategies for television and the viewing habits of television viewers. They also go deeper still into the issues surround the soon-to-be-litigated proposed Paramount merger with Warners. They continue their ongoing analysis of the potential benefits, and current costs, of our evolving relation to Artificial Intelligence. They also discuss one video game movie, one sci-fi comedy from the 1980s, and one current samurai era “whodunit”. They share their love of a raft of different contemporary television series and reveal which streamers they enjoy the most and which shows keep them excited between seasons. Also, they preview this week’s release of an R-rate “director’s cut” of the second “The X-Files” feature film!

Phil is hitting the road, but before doing so, he recorded a great deal of material for the next two installments of YOUR Chillpak Hollywood Hour! This week, he and Marc Hershon discuss the following television series: “Your Friends and Neighbors”, “The Studio”, “Alien: Earth”, “Chief of War”, “Peacemaker”, and “Code of Silence”. Dean reveals whether or not he is participating in a Winnipeg-themed art show, and talks about why any nostalgia he has for the city where he grew up is gone. Then, good pal of the show, purveyor of excellent theme songs, and frequent on-air contributor, Jon Lawlor finally weighs in on Spike Lee’s Highest 2 Lowest answering a longtime loyal listener’s question about the movie’s use of music.

In another episode featuring now regular contributor Jon Lawlor (longtime purveyor of excellent Chillpak Hollywood Hour theme songs), Dean tells stories of his ongoing trip back to his hometown of Winnipeg and the workshopping of a theatrical play that was the reason for his trip. He also reveals details of what may, or may not, be a Winnipeg-themed art collection he will be (or might not be) showing at a forthcoming Hamilton, Ontario, art show! Jon and Phil compare notes on the live stage show (“Viva Los Feliz”) in which they both performed last week. Then, the focus turns to Spike Lee’s latest “joint”, a remake of an Akira Kurosawa classic itself based on a novel by Ed McBain (aka Evan Hunter). Particular attention is paid to the cinematography and the music. Finally, it’s time for more Superman discussion, as a longtime, brilliant listener takes Dean and Jon to task for what they “missed” in their scathing reviews of one of this year’s most beloved, and most talked about movies. Oh, and Star Wars: The Force Awakens takes quite a few strays in the process!

Dean and Phil commence the proceedings with a cold open wherein they address a fantastic voice message they received from a loyal listener in Germany. Then, after finding out when Dean expects to no longer be living in his one-room art studio above the garage, Phil dedicates the rest of the show to celebrating movies from around the world and from across the decades! The recent blockbuster Sinners, the current blockbuster Mission: Impossible – The Final Reckoning, and the current limited release A Vanishing Fog from Columbia (the country, not the studio) all get reviewed. One of the great films of the 21st century, a 2000 masterpiece from Taiwan entitled Yi Yi, and the legendary capper to the “Apu” trilogy – Apur Sansar (aka The World of Apu) – from the great Indian filmmaker Satyajit Ray both get celebrated. Finally, Phil shares stories of Alexander Payne, and regales with the history of perhaps the single greatest influence on Payne’s work, Preston Sturges, both in light of re-watching the hilarious and surprisingly rousing 1944 wartime comedy Hail the Conquering Hero. So, butter up that popcorn, epic Year 19 Episode 4 of YOUR Chillpak Hollywood Hour is going to the movies!

Are Dean and Phil filled with the spirit of the holiday season? This week, we will all find out! They certainly are immersed in the spirit of the Hollywood Awards Season and they discuss the top ten films according to critics, and delve into the top films and performances according to the Golden Globes. They do deep dive analyses of two films – one current award hopeful, and one all-time classic from a true giant of cinema. Then, in the return of “Celebrity Deaths”, a world-famous mentalist, and a big-screen comedy hit-maker get remembered.

This week’s show begins with a cold open about Spanish film star Carmen Sevilla. It continues with Dean and Phil previewing an email from a loyal listener (that they will answer on NEXT week’s show). The email involves the ongoing Writer’s Guild strike and Dean and Phil use it as a springboard to discussing the latest labor negotiation news in Hollywood and to ponder the question “Is Ryan Murphy (once again) the worst person in the world?” Last week, the life and career of Oscar-winner Glenda Jackson was celebrated. This week, Phil reveals tidbits from her final (?) still-to-be-released movie, The Great Escaper (starring Michael Caine). After that, Dean and Phil offer up remembrances of three more great stars of the silver (and small) screen: Julian Sands, Frederic Forrest, and Treat Williams. The second half of the show is all about Indiana Jones (and “The Dial of Destiny”), Akira Kurosawa (and two of his independent films), and the Martin Scorsese classic Raging Bull.

Dean previews his upcoming improv show. Phil previews his forthcoming travels with his cat. Dean and Phil analyze the latest news in the escalating showdown between the Hollywood studios and the creative unions, including the terms of the tentative agreement between the studios and the directors. Then, the rest of the show is about a handful of the greatest films of all time, including Casablanca (with fascinating and surprising stories about its making), Seven Samurai, Pickpocket and Out of the Past, and a couple of truly awful ones (a musical version of Dr. Jekyll and Mr. Hyde starring Kirk Douglas?!). Discussion of great actors, great editing, great cinematography, and Wabi-Sabi ensues! 

Last week, Dean and Phil discussed the ten films nominated for the Best Picture Oscar, the ten films released in 2022 that earned the most revenue at the domestic U.S. box office, and the ten (or twelve) or so films the critics have come to consensus on as the best of the year. This week, it’s Dean and Phil’s turn! They will revel their Top Tens, as they count down what might be the films they consider the best, the most groundbreaking, the most important, or just their favorites of the year.