Dean came back from PhileFest with a case of the Covid-19 and rumors about the forthcoming reboot of “The X-Files”. Phil questions him about both! Phil also asks about a potential guest on a forthcoming show, before sharing a story of how Ann Arbor, Michigan was named for a family member. Last week’s discussion of some great contemporary Japanese cinema leads to a follow-up about Japan’s entry into this year’s Academy Awards before another cinematic follow-up involves great films made in secrecy. A long overlooked, spooky classic from the 1970s gets celebrated and the latest, rather disturbing news from the Hollywood picket lines gets discussed. Finally, in “Celebrity Deaths”, a game show legend, a multiple Emmy Award-winning actor, a chart-topping singer, and two stand-up comedians get remembered.

This week’s show begins with Phil trying to surprise Dean with details of a very famous person who lived in what is now Dean’s hometown of Birmingham, Michigan, and then, Phil tries to stump Dean with a vintage movie ad (from 55 years ago!). Then, because they have been falling behind in discussing “Celebrity Deaths”, Dean and Phil will open the Chillpak morgue to discuss the huge amount of notables who shuffled off their mortal coils in the past week! In part 2, Dean and Phil discuss Ingmar Bergman’s Persona, the latest awards season news (including the SAG, DGA and Producers Guild nominations), and then they conclude with reviews of several films including The Kitchen Brigade, After Yang, Crimes of the Future and Bones and All.

Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.