Phil was out late imbibing. Dean has been battling a bad late summer cold. Yet, somehow, they both come out guns blazing! This week’s show begins with several “Live Events of the Week”, ranging from immersive theatre to a Halloween X-Files improv show, from Leif Erikson Day to the first mixed cocktail! Then, it’s time for “Celebrity Deaths” wherein legendary journalists Cokie Roberts and Sander Vanocur, and performers Suzanne Whang, Aron Eisenberg and Sid Haig are remembered. From there, it’s on to the silver screen, where one of the all-time greats gets discussed in relationship to how we consume movies now, and a legendary “failure” gets re-appraised. In fact, the importance of “failuring” (Dean’s term) gets championed! Finally, the Emmy Awards were this weekend, and your friends in podcasting discuss “Fleabag”, Kirsten Dunst, “On Becoming a God in Central Florida”, and season 2 of “Big Little Lies” and the behind-the-scenes chicanery that may have been responsible for the season’s lack of focus.
12 years ago this week, your friends in podcasting were recording their first show in stereo (rather than the two channel mono that was absolutely bonkers) and were discussing Gary Oldman’s sex appeal and The Last Mimzy. A clip from that discussion opens week’s show before Phil provides an update on his recovery from AND preparation for eye surgery, and Dean provides an update on some very interesting live comedy shows he is doing. One is his improv episode of “The X-Files” and you can see it this month in Detroit! Then, the gents move this week’s episode into the Chillpak morgue, where a maverick U.S. Presidential candidate, an all-star pitcher who became a controversial author and a successful actor, one of the greatest character actors of all time, a legend of Italian cinema, and a star of the original “Willy Wonka” all get remembered in “Celebrity Deaths”. A couple more thoughts related to last week’s discussion of what approach will most likely lead to creating great television get shared. Then, Dean and Phil discuss the controversy surrounding the American Cinematheque and the landmark Egyptian Theatre. Finally, they compare notes on Alfred Hitchcock’s fascinating Rope and the recent releases Us from Jordan Poole and Under the Silver Lake from David Robert Mitchell.