In some ways this week’s episode is a continuation of last week’s show, with more hilarious, puzzling, controversial or just plain delightful movie ads from the 80’s or 90’s, and an email from a loyal listener like you (yes, YOU!) following up on last week’s remembrance of David Lander and his death from Multiple Sclerosis. There is also another email that contains a job offer for Dean, who will update us on his ice cream making and on his graphic novel. Phil wants to discuss caramel, Captain Morgan’s spiced rum and an apparently controversial Uber Eats advertising campaign. Two new documentaries available on Showtime, must viewing for those interested in comedy, movies, music and culture, will get discussed. The controversial decision by Warner Brothers to release their entire 2021 theatrical slate directly to HBO Max will get analyzed. Two indelible actors, a giant of espionage and of spy fiction, a Country Music Hall of Fame inductee, and one legendary, military maverick get remembered in “Celebrity Deaths”.
Dean regales us with details of his trip to Knoxville, Tennessee, and updates us on his teaching of improv. Phil updates us on his recovery from multiple eye surgeries, and regales us with details of a Hollywood Bowl “Live Event of the Week” before previewing an upcoming presentation at The Los Angeles Breakfast Club about silent film great Harold Lloyd and his love of 3-D Photography. Phil also sings the praises of two terrific Asian-American performers – Maya Erskine and Awkwafina – as he recommends their most recent movies, the romantic comedy Plus One and the indie drama The Farewell. Dean and Phil revisit the great Denis Villeneuve sci-fi pic Arrival, answer an email from a loyal listener like you (yes, YOU) about the Manson family murders and provide updates and analysis on the CBS-Paramount merger and Netflix’s efforts to purchase the landmark Egyptian Theatre in Hollywood. That a whole lot of entertainment for one hour (plus)! Of course it is YOUR Chillpak Hollywood Hour.
Phil reveals good news and terrifying stories about his recovery from eye surgery, he and Dean lay out a wide array of possible solutions to gun violence, they remember a legendary writer, they update the Writers Guild’s battle with talent agents, they reveal new movie theater subscription news and they re-visit what they were talking about 12 years ago this week! All that, plus your friends in podcasting dig deep in their analysis and appraisal of Quentin Tarantino’s Once Upon a Time in Hollywood, his career output and his place in cinematic history. Finally, they celebrate one of the most important voices in cinema today, Sean Baker, the filmmaker behind The Florida Project, Tangerine and many more.
It’s Dean’s birthday and we have a special, action-packed show! It gets under way with a famous movie star singing “Happy Birthday” to everyone’s favorite Lone Gunman. In “Live Event of the Week”, the return of Dean’s one-man improv “X-Files” show gets celebrated. Phil updates everyone on his most recent eye surgery before climbing his soapbox in the wake of the mass shooting in Gilroy and the seemingly ongoing war on humanity’s joy. 12 years ago, the summer of 2007 was Dean and Phil’s summer of 007 and they were discussing James Bond. This week, they talk about how the Bond producers have missed out on a seemingly huge opportunity and in “Celebrity Deaths”, your friends in podcasting remember a man who was a friend of Phil’s and the answer to an awesome 007 trivia question. They also celebrate the legacy of Rutger Hauer, and of a man whose life was synonymous with space exploration. This leads into a brief discussion about Moon landing “truthers”. Dean and Phil tackle the various ways movie theaters are looking to cure the box office apocalypse. They discuss Netflix’s deal with the Screen Actors Guild. They continue their ongoing discussion comparing the late Krzysztof Kieślowski and Quentin Tarantino, and, oh yeah, they review Tarantino’s Once Upon a Time in Hollywood (spoiler free) and preview the “Star Trek” movie he might direct. Happy Birthday to Dean, and Happy Chillpak Hollywood Hour Day to all of you!
12 years ago this week, your friends in podcasting were recording their first show in stereo (rather than the two channel mono that was absolutely bonkers) and were discussing Gary Oldman’s sex appeal and The Last Mimzy. A clip from that discussion opens week’s show before Phil provides an update on his recovery from AND preparation for eye surgery, and Dean provides an update on some very interesting live comedy shows he is doing. One is his improv episode of “The X-Files” and you can see it this month in Detroit! Then, the gents move this week’s episode into the Chillpak morgue, where a maverick U.S. Presidential candidate, an all-star pitcher who became a controversial author and a successful actor, one of the greatest character actors of all time, a legend of Italian cinema, and a star of the original “Willy Wonka” all get remembered in “Celebrity Deaths”. A couple more thoughts related to last week’s discussion of what approach will most likely lead to creating great television get shared. Then, Dean and Phil discuss the controversy surrounding the American Cinematheque and the landmark Egyptian Theatre. Finally, they compare notes on Alfred Hitchcock’s fascinating Rope and the recent releases Us from Jordan Poole and Under the Silver Lake from David Robert Mitchell.
It’s a new month, it’s Canada Day and it’s the day before Phil’s first eye surgery and your friends in podcasting have a ton to discuss, from the latest crazy examples of climate change to celebrations of a World War II hero, a romance novelist, a New Orleans music great and an Italian filmmaker-knight-politician. Twelve years ago, Dean and Phil were discussing movie marketing and that is STILL foremost on their minds. What they had not thought about in years was “torture porn” and in the first of what we think will be a weekly “flashback” segment, they play a few minutes from July of 2007, where the controversy surrounding Captivity was at its height. How have times changed and how have they stayed the same? Find out on this week’s show! Plus, you can learn about Laurel & Hardy, the Marx Brothers and the art of screen comedy.
This week’s epic, 80 minute long show begins with an hilarious update about Phil’s medical adventures before the return of “Live Event of the Week”, where classical music, Dean’s forthcoming live comedy show, and a sordid chapter of the Los Angeles Breakfast Club’s history get discussed. Then, the Chillpak Morgue is opened as character actress Sylvia Miles, heiress Gloria Vanderbilt and Jim Pike, lead singer of famed 60’s vocal group The Lettermen, are remembered in “Celebrity Deaths”. And speaking of “Lettermen”, David Letterman has returned to Netflix with season 2 of his series “My Next Guest …” Phil raves about an episode featuring Ellen DeGeneres, on that boasts a cameo by Clint Eastwood, which gets Phil thinking about Clint’s acting career. HIs films Where Eagles Dare and The Bridges of Madison County get discussed. And those are far from the only movies Dean and Phil discuss. They re-examine the classic Hong Kong actioner The Killer on its 30th anniversary. They also analyze the recent box office failures of several previously unassailable cinematic franchises and offer suggestions of what franchise producers and studios can learn from the success of the Marvel Cinematic Universe, as well as from the John Wick and James Bond series of films.
This week, Dean and Phil continue to change the way people listen to the internet with the final episode of year 12 of this podcast! They will remember an Oscar-nominated director, a trailblazing jurist, a delightful character actor and a sci-fi icon in “Celebrity Deaths”. They will update on the Writers Guild’s battle with the talent agents, including what the endgame is … And speaking of “endgames”, the latest news about the Marvel box office behemoth gets analyzed. All that, plus Dean and Phil lock horns while discussing a documentary about David Lynch, and discuss two 2018 releases, “Rampage” and “The Spy Who Dumped Me”, because they represent a lot of what is wrong with the movie business. Join us as we turn 12!