Last week, Dean and Phil discussed the ten films nominated for the Best Picture Oscar, the ten films released in 2022 that earned the most revenue at the domestic U.S. box office, and the ten (or twelve) or so films the critics have come to consensus on as the best of the year. This week, it’s Dean and Phil’s turn! They will revel their Top Tens, as they count down what might be the films they consider the best, the most groundbreaking, the most important, or just their favorites of the year. 

Your friends in podcasting and broadcasting start the show with a “cold open” about some greats of Italian cinema and the genius of Jennifer Coolidge and the cinematographer of “The White Lotus”. Then, after Phil regales with tales of a one-day, 650 mile road trip to Turlock and back, Dean and Phil spend the bulk of the show doing a deep dive into analyzing the year in movies 2022. They take the 10 nominees for the Best Picture Oscar and compare/contrast that list with both the critics’ choices for the top dozen or so films of the year and the top ten box office releases of the year. What emerges is an analysis of the present, and perhaps the near future of moviemaking and movie-going.

Happy St. Stephen’s Day, Happy Boxing Day, Happy (final day of) Hanukkah AND Happy 2nd Day of Christmas! Dean and Phil celebrate it all by comparing notes on their holiday celebrations, by sharing stories of Dean’s jury duty and of Phil’s cross-country travels with THE Fuzz Aldrin! Film critics everywhere have been weighing in on the best movies of 2022. Dean and Phil will check in on their consensus picks (thus far). They will also discuss a handful of current and recent releases, including Guillermo Del Toro’s “Pinocchio”, the dark satire “The Menu”, Ti West’s “X” and “Pearl”, and they re-visit the recent comedy actioner “Bullet Train”, using it as an excuse to analyze the work of Ryan Reynolds, and to celebrate the greatness of Michael Shannon.