Phil is in the nation’s capital, and reveals that he really doesn’t understand much about weather at all. Dean is in Birmingham, Michigan, where the ongoing airport delays prevented him from participating in this weekend’s “No Kings” protests. Phil shares with Dean the favorite signs he saw while protesting with his in-laws! Last week, Dean and Phil discussed the 107 year-old Santa Monica Airport, soon to close operations for good and set to become public parkland. Phil regales Dean with tales of one very famous and beloved movie filmed there. This leads to a discussion about built sets that were too big for any studio soundstage to hold. After that, three very disparate, and somewhat unusual, films get analyzed: the recent Japan-set Rental Family starring Brendan Fraser, the 1978 sci-fi schlock movie Starcrash (featuring Christopher Plummer!) and the 2025 faith-based historical fiction family film Sarah’s Oil. Finally, Dean and Phil do more exploring in the Time Out list of the 100 Greatest Movie Theaters in the World RIGHT NOW. Oh, and a belated Happy National Respect Your Cat Day to all who celebrate!

Phil is playing hurt with a nasty head cold. Dean is braving the sub-zero temperatures. And somehow, they manage to bring you one of the most epic installments yet of YOUR Chillpak Hollywood Hour! They start the show by discussing some of the upcoming 2026 cinematic releases that the Criterion Collection has on their list of the films they are most anticipating. Then, they analyze the Academy Award nominations, the surprises, the snubs, and the historic trends they see unfolding. From the best in cinema 2025 to the worst in cinema, an email from a loyal listener inspires Dean and Phil to discuss the Razzie Awards. Finally, your friends in podcasting wrap things up by revealing each of their lists of the five films that angered them, frustrated them, or downright confused them in 2025.

Big changes are coming, with much more content each week. This week, Dean and Phil hint more at what these changes might bring, while whetting the appetite thru discussions of art, culture, television, movies and acting. The festivities begin with Dean revealing which of the cities he has lived in most inspired his painting. The return of Vince Gilligan to the small screen gets discussed, the hilarious new sitcom “Stumble” gets reviewed, and the cancellation of Rian Johnson’s “Poker Face” AND his plans to revive it get analyzed. In “Celebrity Deaths”, the maverick independent filmmaker Henry Jaglom gets remembered and his ongoing legacy and influence are pondered. Then a whole raft of new Netflix films get mentioned before Dean doffs his cap at Guillermo del Toro’s Netflix version of Frankenstein, and Phil wags his finger at the preposterous The Woman in Cabin 10. Finally, The Fantastic Four: First Steps gets revisited before the state of acting in the 1970s gets hailed as, perhaps, the all-time peak of screen acting.

In another episode featuring now regular contributor Jon Lawlor (longtime purveyor of excellent Chillpak Hollywood Hour theme songs), Dean tells stories of his ongoing trip back to his hometown of Winnipeg and the workshopping of a theatrical play that was the reason for his trip. He also reveals details of what may, or may not, be a Winnipeg-themed art collection he will be (or might not be) showing at a forthcoming Hamilton, Ontario, art show! Jon and Phil compare notes on the live stage show (“Viva Los Feliz”) in which they both performed last week. Then, the focus turns to Spike Lee’s latest “joint”, a remake of an Akira Kurosawa classic itself based on a novel by Ed McBain (aka Evan Hunter). Particular attention is paid to the cinematography and the music. Finally, it’s time for more Superman discussion, as a longtime, brilliant listener takes Dean and Jon to task for what they “missed” in their scathing reviews of one of this year’s most beloved, and most talked about movies. Oh, and Star Wars: The Force Awakens takes quite a few strays in the process!

Last week, Dean and Phil discussed the ten films nominated for the Best Picture Oscar, the ten films released in 2022 that earned the most revenue at the domestic U.S. box office, and the ten (or twelve) or so films the critics have come to consensus on as the best of the year. This week, it’s Dean and Phil’s turn! They will revel their Top Tens, as they count down what might be the films they consider the best, the most groundbreaking, the most important, or just their favorites of the year. 

Their cross-country holiday travels behind them, Dean is back in Michigan, Phil is back in Los Angeles, and they will regale you with stories of Hollywood parties, catch you up on awards season news, analyze the merits of two award hopefuls (the disastrous Babylon and the controversial The Whale) and one indie horror film franchise. They will also remember an award-winning cinematographer, an iconic journalist, a revolutionary fashion designer, and one of the most famous athletes of all time in “Celebrity Deaths”.

Another show 10 years in the making! Dean Haglund and Phil Leirness ring out 2019 by counting down their Top Ten lists of the Greatest Films of the Decade! Get that popcorn ready (and keep those Netflix queues handy) because we’re going to the movies …

 

Your friends in podcasting discuss one of the most sad Christmas celebrations in history, before discussing the deaths of a pop music star, a Native American character actor, a documentary filmmaker and the mayor of SF. Then, Phil turns his attention to one of the most surprising facts to come out of the Disney purchase of 21st Century Fox and Dean tries to calm him down. Then, they delve into the trouble engulfing Matt Damon, before weighing in on three brand new Oscar hopefuls: Downsizing (starring Mr. Damon), Phantom Thread (starring Daniel Day Lewis in his final role), and the rather miraculous All The Money In The World. All that, plus Kyle Machlachlan weighs in on whether “Twin Peaks: The Return” was a terrific season of a television series or whether it was one of the best feature films of the year, and a fantastic note from a loyal listener like you (yes, YOU!) is shared.