Dean and Phil share seasonal decoration news, holiday plans, and Christmas travel tales. Then, Phil tells a hilarious story about an awards screening he attended. Wake Up Dead Man (“A Knives Out Mystery”) gets a deep dive analysis which leads into a new way of discussing the issues surrounding Netflix’s pending purchase of Warner Bros. Media. After that, the Netflix films Jay Kelly and Carry-On get reviewed before a soon-to-be-theatrically-released awards hopeful gets reviewed. Finally, a classic 1949 film noir and an underrated 1961 comedic gem from Billy Wilder get celebrated.

Big changes are coming, with much more content each week. This week, Dean and Phil hint more at what these changes might bring, while whetting the appetite thru discussions of art, culture, television, movies and acting. The festivities begin with Dean revealing which of the cities he has lived in most inspired his painting. The return of Vince Gilligan to the small screen gets discussed, the hilarious new sitcom “Stumble” gets reviewed, and the cancellation of Rian Johnson’s “Poker Face” AND his plans to revive it get analyzed. In “Celebrity Deaths”, the maverick independent filmmaker Henry Jaglom gets remembered and his ongoing legacy and influence are pondered. Then a whole raft of new Netflix films get mentioned before Dean doffs his cap at Guillermo del Toro’s Netflix version of Frankenstein, and Phil wags his finger at the preposterous The Woman in Cabin 10. Finally, The Fantastic Four: First Steps gets revisited before the state of acting in the 1970s gets hailed as, perhaps, the all-time peak of screen acting.

It’s the symbolic final weekend of summer 2025 and your friends in podcasting commemorate in style with almost 70 minutes of rich podcasty goodness! They discuss how one of Dean’s all-time least favorite films might become a television series. They discuss how a Todd Haynes period detective film they would have loved to see might just be back from the dead. They discuss how and why Weapons has captured the cultural conversation in a way few movies do any more. They discuss how and why Netflix had the #1 film at the box office, why Netflix didn’t want you to know that, and what it might portend for the future. They discuss the merits of the new Netflix mystery The Thursday Murder Club. They discuss the 1987 classic River’s Edge and the 1949 all-time masterpiece The Third Man. In the return of the “Live Event of the Week”, Pink Martini performs under the stars at the Greek Theatre. In “Celebrity Deaths”, an Oscar-winning composer, a Tejano legend, a chart-topping flugelhorn player, a co-founder of “Derek and the Dominos”, and the jazz singer dubbed “the lady with the million-dollar ears” all get remembered. Finally, Dean and Phil pay tribute to the great Terence Stamp. Happy Labor Day, USA! Happy Monday, everyone else.

Dean traveled to D.C. and Virginia. Phil traveled to New Orleans, Mississippi and Memphis. Therefore, this seemed like the perfect week for a pre-recorded Top Ten show! As this is the 10th year of Netflix original movies, your friends in podcasting spend the entire hour discussing their all-time favorite Netflix films. Ordinarily, Dean and Phil have some overlap between their lists. This time, they have no favorite films in common! Butter the popcorn and keep those Netflix queues handy because you are bound to learn about some movies you didn’t know about, or pay attention to, when they were released!

It’s April Fools’ Day, and what better way to celebrate than by spending an hour enjoying the spirited, irreverent conversation of two fools who have been changing the way people listen to the internet since May of 2007? This week, Dean and Phil discuss the stand-up comedy of Ali Wong, the performance artistry of Laurie Anderson, the beauty of the Fox Theatre in Detroit, the Orpheum Theatre in DTLA, the significance of the Tower Theatre just down the street from the Orpheum, and the Apple Store it now houses. They dig into “True Detective: Night Country”, and celebrate the great Japanese suspense picture Woman in the Dunes, marveling at the fascinating life of its director, Hiroshi Teshigahara. Two Francis Coppola epics, one disastrous, one just completed, both go under the microscope, and in “Celebrity Deaths”, two all-time great actors get remembered.

Last week, Dean and Phil discussed the ten films nominated for the Best Picture Oscar, the ten films released in 2022 that earned the most revenue at the domestic U.S. box office, and the ten (or twelve) or so films the critics have come to consensus on as the best of the year. This week, it’s Dean and Phil’s turn! They will revel their Top Tens, as they count down what might be the films they consider the best, the most groundbreaking, the most important, or just their favorites of the year. 

This week’s show begins with Phil trying to surprise Dean with details of a very famous person who lived in what is now Dean’s hometown of Birmingham, Michigan, and then, Phil tries to stump Dean with a vintage movie ad (from 55 years ago!). Then, because they have been falling behind in discussing “Celebrity Deaths”, Dean and Phil will open the Chillpak morgue to discuss the huge amount of notables who shuffled off their mortal coils in the past week! In part 2, Dean and Phil discuss Ingmar Bergman’s Persona, the latest awards season news (including the SAG, DGA and Producers Guild nominations), and then they conclude with reviews of several films including The Kitchen Brigade, After Yang, Crimes of the Future and Bones and All.

After a cold open that involves a fascinating horror film from the UK in the 1940s (a rarity at the time) and the scientific theories it helped spawn, Phil reveals the horrific travels he undertook since he last convened with Dean on YOUR Chillpak Hollywood Hour! In “Celebrity Deaths”, the political cinema of Jean-Luc Godard gets analyzed, and the lives and careers of five performers and a jazz master get celebrated. Then, it’s back to the movies, with Dean recommending a current horror film and Phil revealing the two mysteries currently in theaters he is dying to see, before he and Dean sing the praises of several “Stranger Things” cast members and then try to figure out what went so right with one Ryan Reynolds vehicle from director Shawn Levy, and what went so wrong with another Ryan Reynolds vehicle from director Shawn Levy!

This week, Dean and Phil follow up on one of their best episodes ever by discussing the importance of manners as they relate to masks, shoes, and award shows! They have some bracing words about the nature of “safety” in show business. Then, they turn their attention to the Oscar-winning documentary Summer of Soul before discussing Oscar-winner George Chakiris and what he thought made original West Side Story choreographer Jerome Robbins so great. They also discuss the importance of representation, which leads to a discussion of an early Vincente Minnelli film, Cabin in the Sky from 1943, featuring an incredible all-black cast. That leads to a discussion of the version of A Star is Born produced by and starring Minnelli’s one-time wife, Judy Garland. It was a remake, of course, and has been remade twice more. And speaking of remakes, Dean and Phil conclude by analyzing Kenneth Branagh’s Death on the Nile, why it failed as a movie and what is being blamed for its failure at the box office.

With the Oscars coming up this weekend, the book will finally close on the year in cinema 2019 … The Best Picture nominees are 1917, Ford v Ferrari, The Irishman, Jojo Rabbit, Joker, Little Women, Once Upon a Time in Hollywood and Parasite. The top performing films at the US Box office released in 2019 (ranked from 1 thru 10) were Avengers: Endgame, Star Wars: Episode 9 – The Rise of Skywalker, The Lion King, Frozen II, Toy Story 4, Captain Marvel, Spider-Man: Far from Home, Aladdin, Joker and Jumanji: The Next Level … Would any of these films make Dean and Phil’s lists of the best films of 2019? Find out this week as your friends in podcasting count down their Top Ten Films of 2019!