On the eve of the Golden Globes, Dean and Phil got together via Zoom with the Best of 2025 very much on their minds. They discuss the recent Directors Guild and Screen Actors Guild award nominations. They discuss why the Writers Guild awards pale in significance compared to the DGA and SAG. That leads to a review of the multi-Golden Globe nominated, but WGA-ineligible South Korean dark comedy No Other Choice from writer-director Park Chan-wook, and his co-writer Don McKellar, as well as to a discussion of some Park Chan-wook movies from the past that Dean and Phil hope to track down. From one dark comedy to another, Phil and Dean then tackle Ari Aster’s Eddington before cleansing their palate with the utterly delightful Nouvelle Vague from Richard Linklater. Finally, the CNN documentary “I’m Chevy Chase and You’re Not” gets analyzed before Dean and Phil set aside fifteen bonus minutes to peek ahead to what IMDB considers ten of the “most anticipated” movies coming out this year.

This week, another “audio collage” of two different conversations recorded at different times, both exploring different facets of comedy. First Dean and Phil convene to compare notes on the new reboot of The Naked Gun – what it did right, what could have been done better and what good things its success (especially with young people) might portend! Another recent release, Riff Raff gets reviewed, and the importance of sketch and improv training for actors gets discussed. Then, your friends in podcasting take a deep dive into The Beatles’ movies directed by Richard Lester: A Hard Day’s Night and Help! A whole lot of deep concepts and legendary cinematic figures get explored as a result! In the final half hour of this epic installment, frequent contributor to the show, and comedy impresario, Marc Hershon and Phil discuss recent, disturbing news from the world of television, before discussing a Marc Maron comedy special, how authenticity might be having a moment, how young people seem to have good B.S. detectors, and several of Marc’s formative comedy influences.

Your friends in podcasting have been teasing episode #568 for weeks! They had really been looking forward to counting down their all-time favorite Mystery films and the final results prove to be a lot of fun. So, get those Netflix queues handy, because Dean and Phil will hit you with more than two dozen movies they discuss at length with four films actually finding a place on both their Top Tens. There are comedy “whodunits” from the 1930’s, foreign language allegories from the 2000’s, independent films that launched careers, classics from international masters that launched entire sub-genres, mysteries based on books, mysteries based on plays, mysteries set in the farthest reaches of space, mysteries full of post-war romance and cold war anxiety. The biggest mystery of all is after almost eleven years, how do Dean Haglund and Phil Leirness keep managing to provide an hour (plus) of free audio entertainment each week?!

This week’s show is over five and a half years in the making.

It starts with your friends in podcasting revealing their all-time Top Ten Films.

Then, they reveal the all-time Top Ten according to all the guests who have appeared on YOUR Chillpak Hollywood Hour!

What films will make the cut?

We wouldn’t dream of spoiling it. HOWEVER, we CAN let you know that these films did NOT make the top ten, though they came very close, finishing in positions twenty-four through eleven:

24. Vertigo (Director: Alfred Hitchcock, Year: 1958)
23. Apocalypse Now (Francis Coppola, 1979)
22. Amelie (Jean-Pierre Jeunet, 2001)
21. A Clockwork Orange (Stanley Kubrick, 1971)
19. TIE – Pulp Fiction (Quentin Tarantino, 1994), The Big Lebowski (Joel Coen, 1998)
18. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
17. Wings of Desire (Wim Wenders, 1987)
16. the Matrix (The Wachowskis, 1999)
15. The Third Man (Carol Reed, 1949)
14. Chinatown (Roman Polanski, 1974)
13. Fellini’s 8 1/2 (Federico Fellini, 1963)
12. Goodfellas (Martin Scorsese, 1990)
11. Lawrence of Arabia (David Lean, 1962)

Got your popcorn? Then, let’s go to the movies!