When does an hour turn into 80 minutes? When it’s this week’s installment of YOUR Chillpak Hollywood Hour! Dean is back in Michigan and has travel horror stories. Dean and Phil tackle the latest bizarre turn in the ongoing saga of Paramount changing ownership. An “all icons” edition of “Celebrity Deaths” involves the fascinating story behind the creator of Famous Amos, the hilarious reason Peter Marshall became the long-running host of “Hollywood Squares”, and appreciations of an 80’s music hitmaker, a groundbreaking and format-creating talk show host, and one of the greatest, most important leading men in movie history. Speaking of movies, Dean reviews the new Strange Darling, Phil tries to understand the failure of the recent Furiosa: A Mad Max Saga, and Dean and Phil close with an appreciation of the great Michael Powell. Then, before the show ends, Marc Hershon joins the festivities to celebrate what just might be the best show on television.

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.

It’s the penultimate episode of the Australian Era of YOUR Chillpak Hollywood Hour and your friends in podcasting are offering something for everyone on this particularly nourishing and personal installment. First Dean Haglund shares a bit about what he will miss about being “Down Under” and regales with descriptions of some of his favorite places in Australia. Then, Phil Leirness shares an email from a loyal listener like you (yes, YOU) about editing techniques, a continuation of a discussion about how editing affects actors’ performances that began on last week’s show. Somehow both fascism and democracy get discussed in the context of film editing! From there, Phil celebrates the 25th Anniversary of “The X-Files” by asking Dean about his favorite episodes and who his favorite character is (other than “Langley”, of course). Dean’s answers might just delight you! Then, Dean and Phil weigh in on how the show’s influence is still being felt on television today in shows as disparate as Vince Gilligan’s “Better Call Saul” and NBC’s sitcom “The Good Place”. The final “Lawsuit of the Week” of the intercontinental era is a re-visitation of Shari Redstone’s efforts to re-merge CBS with Paramount and what the failure to do so means for the companies and for their flagship franchise, “Star Trek”. The show concludes with a fascinating discussion of prolific television writer, producer and show-runner Gregory Berlanti’s hit feature film Love, Simon. The film’s themes are celebrated, and what the film’s style says about the state of, and future of, big-screen storytelling is questioned.

Dean Haglund spent part of his birthday recording this episode of YOUR Chillpak Hollywood Hour and it turns out to be a very special, very personal installment for your friends in podcasting. Sure, they talk about a whole bunch of movies, including Mission: Impossible – FalloutHotel ArtemisSorry to Bother YouEat Me and The Breaker Upperers, and they celebrate John Waters’ Hairspray at 30. Of course, they also discuss the latest news regarding the James Gunn and Chris Hardwick controversies and weigh in on the ramifications surrounding the accusations leveled at longtime CBS head honcho Les Moonves. All that plus disturbing news surrounding two L.A. icons and the show biz disruptor that is (was?) MoviePass. What makes the episode truly unforgettable and personal, however, will have to remain a secret to all but those who listen to this week’s show. Which you can do NOW wherever good podcasts can be found!