Hindsight, like this episode, is 20/20 (Year 20 Episode 20, get it?) and so Dean and Phil begin this week’s show with a clip from the long-running ABC news magazine show “20/20” from the mid-1980s and remark upon just how contemporary those clips sound! From there, the upcoming “Blade Runner 2099” television series gets previewed and the latest in the lawsuit surrounding Paramount’s on-hold merger with Warner Bros. gets analyzed (and laughed about). Phil wants to know why Dean isn’t watching the terrific “Lanterns” on HBO. The brilliance of director Zach Cregger and the success of his new Resident Evil get appraised. Then, Kiyoshi Kurosawa’s The Samurai and the Prisoner (just in time for its return to cinemas, this time in black and white) and DC’s Supergirl both get reviewed. Finally, the great Ang Lee and his landmark Sense and Sensibility get reappraised (just in time for a new adaptation to get released).

Their cross-country holiday travels behind them, Dean is back in Michigan, Phil is back in Los Angeles, and they will regale you with stories of Hollywood parties, catch you up on awards season news, analyze the merits of two award hopefuls (the disastrous Babylon and the controversial The Whale) and one indie horror film franchise. They will also remember an award-winning cinematographer, an iconic journalist, a revolutionary fashion designer, and one of the most famous athletes of all time in “Celebrity Deaths”.

Your friends in podcasting reconvene to celebrate the lives of three performers (one a beloved star of Broadway, another a musical star of television, and the third a movie star who was part of one of Hollywood’s most celebrated marriages), a roboticist, a news magazine host, an iconic designer, and several truly heroic Civil Rights activists. Dean and Phil then roll up their sleeves to analyze why it is that Netflix episodic series are so often delightful and charming, while so many Netflix original movies are listless and perfunctory. And, oh, yeah, they also discuss why good manners might just be the cure for a lot of the troubles that seem to plague the modern world.