On Halloween in the USA (November 1 in Japan), Phil and Dean recorded this week’s show via zoom for a far out and far east installment of YOUR Chillpak Hollywood Hour. In it, you will hear accounts of Dean’s adventures in the Land of the Rising Sun. You will also hear the sad tale of Phil’s sister, and Phil’s full report on the big live show he hosted, and the show he was performing in that night. There will be deep dive discussions of several films, including two by director Brian G. Hutton and two somewhat overlooked horror films. The importance of Halloween as a time to discover, or re-discover unfairly maligned or outright ignored genre films gets celebrated as well. Finally, great stars Kris Kristofferson and Teri Garr, and legendary “Star Trek” writer, producer and show-runner Jeri Taylor get remembered in “Celebrity Deaths”.

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.