Welcome to Year 20 (“the year we get it right!”). On this, their overall 988th installment, Dean and Phil really put the “Hollywood” into “Chillpak Hollywood Hour” with showbiz news, analysis, previews and reviews. It starts with a discussion of the long-running series “Supernatural”. Then in the “Lawsuit of the Week” the supposed end of the It Ends With Us lawsuits gets discussed. The surprising details of the SAG-AFTRA deal with the AMPTP get analyzed and the fact that it (most likely) means no labor stoppage for the next four years gets celebrated. Some fascinating rules changes for next year’s Oscars get dissected, and some seemingly terrific, but certainly intriguing, news regarding Greta Gerwig’s “Narnia” movie for Netflix gets hailed. The Cannes film festival gets previewed. As does the American Cinematheque’s Bleak Week festival. Finally, two current theatrical releases get hailed as modern masterworks and the plans for a new episode of “Deep Dive” get finalized.

Your friends in podcasting discuss Netflix’s (perhaps misleading) embrace of movie theaters, they celebrate the resurrection of Todd Hayne’s seemingly dead but now forthcoming detective film (with Pedro Pascal replacing Joaquin Phoenix), and an upcoming movie starring Simon Pegg, Sofia Boutella and Quentin Tarantino. Nia DaCosta’s Hedda gets analyzed, as does the Thai comedy A Useful Ghost and the Charlie Chaplin masterpiece Modern Times. More upcoming movies get previewed and the outstanding discodelic soul of Say She She gets celebrated in the return of “Live Event of the Week”.

What do the movies The Brutalist, The Substance, Red Rooms and Anora have in common? They all made BOTH Dean AND Phil’s lists of the Top Ten Films of 2024! The Critics have all had their say, the Academy of Motion Pictures Arts and Sciences have announced their nominations for the Best in Cinema 2024, and on this week’s show, your friends in podcasting finally have their say. Learn what other films made their lists as they count down their Top Ten from the cinematic year just past!

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.