Pop quiz: What show features discussions about the great Motown artist Barrett strong, founding member of The Eagles Randy Meisner, Tony Bennett, Pee-wee Herman, the director of The Exorcist and The French Connection, a rock musical parody of The Exorcist, Dean’s final (?) “X-Files” improv (at a forthcoming “X-Files” convention), and the classic comedy films of Jacques Tati? Answer: This week’s brand new Season 3 Episode 81 of YOUR Chillpak Hollywood Hour!
This week, after a cold open involving Pee Wee Herman and David Hasselhoff, Dean and Phil discuss Dean’s travel plans, a big 30th anniversary “X-Files” convention and the latest news involving the Hollywood labor battles. Then Dean offers up another suggestion of a vintage television series you might want to avail yourself of while no new series are being produced. An all-music edition of “Celebrity Deaths” will focus on a groundbreaking Chinese American performer, a beloved bass player, an influential punk rock star, and a chart-topping singer. Then, Dean and Phil celebrate the enduring comedic legacy of true cinematic genius Jacques Tati, discussing his life, his career, his artistry and two of his most beloved films. Phil then asks Dean to weigh in on why the exceptionally funny Dungeons & Dragons: Honor Among Thieves lost so much money. A show that starts out creepy, albeit hilarious, ends that way as well!
Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.