If we know anything after almost 20 years of podcasting, it’s that people love hearing “production meetings on the air”! If that’s true, then what a show we have for you, with not one, but THREE production meetings – two of genuinely hilarious varieties and the third pertaining to movies like Backrooms, Exit 8, Universal Language and the television series “Severance”. In between those meetings, Dean and Phil share the thoughts of a loyal listener and roll up their sleeves to roast almost everybody involved in the “will they or won’t they” Paramount/Skydance merger with Warner Bros. Discovery. The glory of the once great Paramount Pictures gets re-visited using the all-time Hollywood classic Sunset Boulevard and the just-released season finale of “Star Trek: Strange New Worlds” season 4 as the gateway for this exploration. Come for the analysis, stay for the story about Phil stealing something! As if that all weren’t enough, Dean and Phil go deep on a perplexing television movie from 1974, its famous writer, its all-star cast, and its legendary cinematographer. Finally, Stop! That! Train! gets fully appraised.

In a rather shocking cold open, Phil reveals not only that he has World Cup Fever, but also that he is genuinely thrilled about the early tournament achievement accomplished by Team Canada! Brief remembrances of artist David Hockney and journalist Gene Shalit (both of whom died during the past few days) are offered. Then, things turn dark, as Dean and Phil explore some of the shabbiest corners of show business, with the latest on the impending Paramount merger with Warner Bros. and the return of the It Ends With Us lawsuit between director Justin Baldoni and star Blake Lively. Last week Dean and Phil talked about actress Ann Savage, who starred in Dean’s all-time favorite My Winnipeg. This week, Phil reveals to Dean that the Academy Museum will be hosting a “Weekend with Guy Maddin” featuring four of this master filmmaker’s greatest works. Dean convinces Phil to attend the entire weekend. A couple weeks back, Dean and Phil discussed the all-time classic Some Like it Hot and in so doing, Dean made some comments about that film’s indelible supporting player Joe E. Brown that inspired friend of the show Maurice Terenzio to hunt and peck his way through a lengthy, fascinating and rewarding missive about this great comic actor (and humanitarian). Film noir has been foremost on Phil’s mind of late, and he offers detailed appreciations for two of his all-time favorite actors: Sterling Hayden (in the process analyzing the revered Nicholas Ray-directed and Joan Crawford-starring western Johnny Guitar and the classic John Huston crime procedural The Asphalt Jungle) and Veronica Lake (with particular attention paid to the Raymond Chandler original The Blue Dahlia). Finally, it’s no secret that Dean loves action, and he offers a full report on the just-released action film The Furious.

Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”. The Coen Brothers’ 1991 masterpiece Barton Fink gets revisited at 35 and is found to be better than ever. The film genre of neo-noir gets analyzed, and the all-too-overlooked Hickey & Boggs (directed by Robert Culp and co-starring Culp and Bill Cosby) gets championed as an outstanding exemplar of that genre. The death of certain kinds of horror tropes are foremost on Dean’s mind after seeing Scream 7, whereas Phil is intrigued by the new generation of horror exemplified by the current box office sensations Backrooms and Obsession. Then, Dean and Phil switch genres yet again, and examine cinematic comedy through two documentaries (Mel Brooks: The 99 Year Old Man! and Marty, Life is Short), one all-time classic (Some Like it Hot) and two current releases in theaters (I Love Boosters and The Sheep Detectives).

Dean and Phil share seasonal decoration news, holiday plans, and Christmas travel tales. Then, Phil tells a hilarious story about an awards screening he attended. Wake Up Dead Man (“A Knives Out Mystery”) gets a deep dive analysis which leads into a new way of discussing the issues surrounding Netflix’s pending purchase of Warner Bros. Media. After that, the Netflix films Jay Kelly and Carry-On get reviewed before a soon-to-be-theatrically-released awards hopeful gets reviewed. Finally, a classic 1949 film noir and an underrated 1961 comedic gem from Billy Wilder get celebrated.

The riddle: What show covers the best film of 2023 (thus far), one of the best films of the 21st century (a movie from Hungary), the 11th greatest film of all time (according to the Sight and Sound poll), AND one of the worst films of all time (a musical version of Dr. Jekyll and Mr. Hyde), in addition to drag shows in Florida, the charms of Santa Catalina Island, the Japanese American National Museum, Dobie Doodle puppies, and several fascinating (quasi) “Celebrity Deaths”?

The answer: Why, this show, of course!

Recorded late last week from a certain “historic building in downtown Los Angeles”, this episode begins with Phil doffing his cap about what Dean got right in discussing Sarah Polley’s Women Talking a few weeks back AND wagging his finger at what Dean got wrong while discussing Netflix’s “Wednesday” this past week. Phil then hails Joel de la Fuente (of “Man in the High Castle” and most recently “The Mysterious Benedict Society”) as his favorite actor. At that point, Dean and Phil switch gears for a show ten years in the making, analyzing the just-released, decennial Sight and Sound poll of all-time greatest films! What Dean and Phil were expecting and what surprised them leads to what promises to be an ongoing conversation about re-contextualization and the importance of learning how works of art resonate with different groups and different cultures.

After another hilarious cold open, Dean and Phil briefly discuss the actors George C. Scott and William Shatner, the time their careers intersected, and how memory might have played a role in their careers. Then, it’s a deep dive into the careers of two of the most accomplished screen stars of the 2nd half of the 20th Century: Marlon Brando and Jack Lemmon! Some of the greatest movies, filmmakers and writers take their turns in the spotlight, as do several overlooked or under-appreciated gems!

In their last episode before they celebrate their 15th Anniversary of “changing the way people listen to the internet”, Dean and Phil have a lot to discuss in a show biz world that seems to be getting ever more back to “normal”. There are TV shows like “Better Call Saul”, “Barry”, “Julia” and “Our Flag Means Death” to weigh in on, and movies like “The Batman”, “Kimi” and “Everything Everywhere All at Once” to analyze. A wide array of classic and contemporary performers will get celebrated, including George Chakiris, John Cassavetes, Michelle Yeoh and Zoe Kravitz. In “Celebrity Deaths”, a great French star, hockey’s “The Flower”, and a Broadway icons who became a fixture on both the big and small screens, will all get remembered. Plus, Dean is auditioning again and Phil is hosting more live events.

We were going to say that after a one-week absence (during which they released a spectacular pre-recorded episode with a special guest), your friends in podcasting come out with guns blazing … And then, as they were getting set to record, ANOTHER mass shooting in the USA occurred. Dean and Phil address the event and get into a seriously fascinating conversation about rage and despair and about how people can obtain the tools necessary to explore these bedrock emotions without being taken by them. Then, in the return of “Live Events of the Week”, Tchaikovsky and a non-binary gender identifying performer are celebrated, and Dean discusses his “Down Under Bucket List”, including scuba diving the Great Barrier Reef (a list item he has checked off, thank you very much!). Romantic comedies and diversity both get discussed in the wake of Crazy Rich Asians‘ box office success (and surprisingly decent reviews) and the documentary profile Ryuichi Sakamoto: Coda gets recommended. Finally, the Chillpak Morgue is opened for “Celebrity Deaths” where the lives, accomplishments and lasting impacts of a true American hero, a giant of international diplomacy, the Oscar-nominated actress who founded modern improv, the journalist who coined the phrase “champagne wishes and caviar dreams” and the Queen of Soul are all remembered. All that AND Phil finally learns the usage of modern-day pronouns!

This week, your friends in podcasting complete their epic 2-part celebration of the all-time greatest comedy movies! Boasting films from (almost?) every decade of feature filmmaking, this week’s installment covers Dean and Phil’s respective Top 5’s! There are bound to be crowd-pleasing favorites, silent classics, independent gems and studio blockbusters. So, keep those Netflix queues handy!