Dean traveled to D.C. and Virginia. Phil traveled to New Orleans, Mississippi and Memphis. Therefore, this seemed like the perfect week for a pre-recorded Top Ten show! As this is the 10th year of Netflix original movies, your friends in podcasting spend the entire hour discussing their all-time favorite Netflix films. Ordinarily, Dean and Phil have some overlap between their lists. This time, they have no favorite films in common! Butter the popcorn and keep those Netflix queues handy because you are bound to learn about some movies you didn’t know about, or pay attention to, when they were released!

It’s a Labor Day edition of YOUR Chillpak Hollywood Hour and Dean and Phil regale with tales of the labor they had to put into Labor Day Weekend, and discuss the history of the day itself. Phil rants about the truncating of summer before he and Dean revisit the following topics from last week: Edgar Bronfman Jr.’s 11th hour bid to take over Paramount, the cinematic legacy of the great leading man Alain Delon, and the nonlinear nature of Strange Darling. Many classic and recent films get appraised, including the Ryan Reynolds-starring If and the 2014 indie neo-noir Man From Reno. On the small screen, the new season of “Only Murders in the Building”, the third season of “Slow Horses” and the rookie season of “Bad Monkey” all get discussed, as does the literary voice of author Carl Hiaasen. All that plus, Phil reveals some very interesting tidbits about his essays and podcasts at “The Voice of Los Feliz”.

When does an hour turn into 80 minutes? When it’s this week’s installment of YOUR Chillpak Hollywood Hour! Dean is back in Michigan and has travel horror stories. Dean and Phil tackle the latest bizarre turn in the ongoing saga of Paramount changing ownership. An “all icons” edition of “Celebrity Deaths” involves the fascinating story behind the creator of Famous Amos, the hilarious reason Peter Marshall became the long-running host of “Hollywood Squares”, and appreciations of an 80’s music hitmaker, a groundbreaking and format-creating talk show host, and one of the greatest, most important leading men in movie history. Speaking of movies, Dean reviews the new Strange Darling, Phil tries to understand the failure of the recent Furiosa: A Mad Max Saga, and Dean and Phil close with an appreciation of the great Michael Powell. Then, before the show ends, Marc Hershon joins the festivities to celebrate what just might be the best show on television.

This weekend, your friends in podcasting got together on the pool deck of a certain “historic building in downtown Los Angeles” and boy did they have a lot to discuss! The status of downtown, Dean’s travels AND his official “wedding engagement” get covered. The Olympics closing ceremony and Tom Cruise’s role in it get revisited. The “Live Event of the Week” is “Duo it Again” a brilliant and psychedelic game of telephone that is the hottest party you can find on a Tuesday night in Los Angeles. There is movie news involving Joaquin Phoenix doing one of our greatest filmmakers and a maverick indie producer “dirty” and Phil and Dean both have more thoughts about Wolfs losing its wide theatrical release. Casablanca on 4K and Beverly Hills Cop: Axel F on Netflix both get reviewed. A whole lot of reference to the great documentary Los Angeles Plays Itself gets made throughout the show. Finally, a groundbreaking comedy radio producer-turned television writer and the peerless Gena Rowlands both get remembered in “Celebrity Deaths”.

After a brief cold open where Phil and Dean discuss Dean’s trip to Los Angeles this week, your friends in podcasting get into a spirited and frequently hilarious discussion about the Olympics. Then Phil has notes for the brilliant Jon Batiste about his hot mess of a live show. A legendary agent and a trailblazing actress get remembered in “Celebrity Deaths”. Dean plays “armchair executive” in analyzing the news surrounding the forthcoming George Clooney-Brad Pitt vehicle Wolfs. Phil re-watched Barry Lyndon and he and Dean take a deep dive into that film and analyze the way the film has been so dramatically reappraised in recent years.

After traveling across the country (on Spirit Airlines), Phil has been laid up all week, sick as a dog. Dean has been avoiding the dazzling nighttime Aurora displays put on by the current solar storm. They both have a great deal of show biz news, views and reviews on their minds, however. First off, Dean previews the forthcoming Ryan Coogler-led “X-Files” reboot, hipping us to its premise. Then, he and Phil make sense of the Ryan Gosling-starring The Fall Guy, both appraising its merits and explaining its box office failure. The future of action as a genre on both the big and small screens gets analyzed. Jerry Seinfeld’s utterly silly, possibly sly Unfrosted and the seething reaction to it get dissected. Everybody’ seems to love Netflix’s new series “Baby Reindeer”, except for the possibly defamed subject of it! Dean and Phil come at this one from all angles. Finally, Phil explains what went wrong with Taika Waititi’s recent true-life sports comedy Next Goal Wins and expresses confusion over why Hulu’s “The Bear” is considered a comedy.

Dean (in Detroit) and Phil (in Los Angeles) celebrate the lives of three amazing women: Performer-turned-novelist Echo Brown, Pilot-turned-architect Beverly Willis, and Detroit’s very own screen legend Piper Laurie. The latest implosion in the negotiations between the actors and the studios gets discussed, analyzed, and what it means for TV and Film production gets predicted. Where television is concerned, your friends in podcasting and broadcasting offer up thoughts on the recent social media furor surrounding Martin Short, and the merits of “Only Murders in the Building” season 3, “Reservation Dogs” season 3, and “Our Flag Means Death” season 2. Where movies are concerned, Dean checks in with a review of The Creator, while Phil weighs in on William Friedkin’s final film and Wes Anderson’s brand new Roald Dahl adaptations for Netflix.

This week’s episode is quite the mélange and it begins with a cold open featuring a musical duet recorded late at night in Dean’s Motor City-adjacent home last week while Phil was visiting. Then, it is back to the “now” with Dean previewing his forthcoming trip to Minneapolis for a convention celebrating the 30th anniversary of “The X-Files” and Phil reveals the challenges he faced getting home from Detroit. Then, Phil reveals the latest show business strikes news and Dean offers up another vintage television series, this one an exemplar of Scandinavian Noir. In the return of “What We’re Reading”, Dean and Phil reveal the books that have garnered their attention, including a memoir, classic literature, historic fiction, poetry, music analysis and a guidebook. The phenomenon that is Oppenheimer gets discussed, as does large format film exhibition. Finally, in “Celebrity Deaths”, Jimmy Buffett gets remembered (as do his cafes and hotels!).

A question from a loyal listener like you (yes, YOU!) leads to a passionate and thoughtful discussion about what television and movies you should be watching while no new television and movies are being made due to the writers’ and actors’ strikes. Moreover, Dean and Phil will discuss the ways all of us can greatly improve the chances of an equitable outcome to the contractual impasses. In honor of the actors, four frequently overlooked films boasting excellent performances by major stars will get remembered. And two of the greatest films of all time will get analyzed. Plus, this week’s show includes more on Raging Bull, further insights into “wabi-sabi”, and the return of “The Live Event of the Week”.

Dean previews his upcoming improv show. Phil previews his forthcoming travels with his cat. Dean and Phil analyze the latest news in the escalating showdown between the Hollywood studios and the creative unions, including the terms of the tentative agreement between the studios and the directors. Then, the rest of the show is about a handful of the greatest films of all time, including Casablanca (with fascinating and surprising stories about its making), Seven Samurai, Pickpocket and Out of the Past, and a couple of truly awful ones (a musical version of Dr. Jekyll and Mr. Hyde starring Kirk Douglas?!). Discussion of great actors, great editing, great cinematography, and Wabi-Sabi ensues!