Great theaters and great comedy are on the minds of your friends in podcasting. First, Dean and Phil pat themselves on the backs for taking the time at the beginning of the year to preview the film that ended up winning the Palme d’Or at the just-completed Cannes Film Festival. Then, they finally, after a break of months, return to the Time Out list of the “100 Greatest Movie Theaters in the World”, and share their connections to some of the very top selections. From great movie theaters to one of the most historic live television stages in the world, the Ed Sullivan Theater in New York City, Stephen Colbert’s farewell to the “Late Show” gets analyzed and his return to late night television the very next night in Monroe, Michigan (on Public Access television) gets celebrated. Finally, two of the most legendary comedy filmmakers of all time get compared: Mel Brooks and Ernst Lubitsch. The “Lubitsch Touch” gets explained and the all-time great comedy film To Be or Not to Be gets discussed in fascinating detail.

Dean Haglund turned 60 this past week and on the occasion, Phil Leirness and (friend of show and composer of numerous themes songs) Jon Lawlor met up with Dean via Zoom to discuss the importance of celebrating birthdays. They also celebrated the incredible life and hilarious artistry of the great Tom Lehrer. This led into a discussion of the gents’ all time biggest comedy influences. Finally, they discussed the fact that two of the films hailed as the best of 2025 both deal with recovery from sexual trauma and why that might make sense for where we are as a culture right now. Afterwards, Lily Holleman joined the festivities to go in-depth with Phil about one of those two films.

Welcome to one of our most cinematic episodes of the year! Dean and Phil talk nothing but movies, doing deep dive analyses of the new Dave Bautista action-comedy vehicle (and tax dodge?) The Killer’s Game, the current Tim Burton-directed smash hit Beetlejuice Beetlejuice, the Michael Keaton-starring vehicle and directorial effort Knox Goes Away, the recent “thriller in six chapters” Strange Darling, this year’s box office disaster The Fall Guy, a 1968 film undone by director Richard Lester’s cynicism (Petulia), and an all-too overlooked classic from director Joseph Losey and leading man Alain Delon (Mr. Klein). Finally, Phil regales Dean with a real-life unsolved murder that involved the late, great Delon.