For what it’s worth, awards season in Hollywood is firmly upon us and on this week’s show, your friends in podcasting examine the top ten 2024 releases at the U.S. box office, the top ten films according to critics, and the ten films selected by the Academy of Motion Picture Arts and Sciences for the Best Picture Oscar nominations. They analyze the surprises, the snubs and the meaning behind the Oscar nominations, before taking a deep dive into Gladiator II, Wicked: Part One and A Complete Unknown. And speaking of the Academy, Phil had a terrible experience at an Academy Museum screening – so terrible, he might never return. He fills Dean in on the details and they share memories of a colleague about whose death in 2020 they just learned.

The first show of 2025 find Dean and Phil in good form and discussing a wide array of topics including the landscape and geography of NY’s Central Park, nature photography, the It Ends With Us controversy and lawsuit, and the near future of motion picture distribution both theatrically and via streaming. The truncated nature of this year’s mad dash Awards Season will get analyzed before the Netflix series “Man on the Inside” gets reviewed. Then, your friends in podcasting roll up their sleeves to re-examine Netflix’s 2018 film The Christmas Chronicles and offer their thoughts on the Ralph Fiennes-Juliet Binoche starrer The Return as well as the brilliant Nickel Boys and the reviled (and misunderstood?) Joker: Folie a Deux. Finally, thoughts regarding the suicide of filmmaker Jeff Baena are offered and Ralph Fiennes closes the show by being very “demure”.

Your friends in podcasting have returned from travel adventures and have tales about art galleries in the nation’s capital and jazz clubs in the Big Easy. You will learn more about they year 1874, and more about the Marigny District of New Orleans, than you have ever heard before on this show! Much of this week’s episode involves movie box office news, movie award news, and movie reviews. In fact, two current releases and one recent release get deep-dive analyses: Conclave, Anora, and Longlegs.

This week’s Canadian Thanksgiving installment features follow-ups on several topics from past episodes: Are the most important pop culture figures of the last quarter of the 20th century all named “David”? Why is contemporary art so abundant with creativity and so full of joy? What are some of the most thrilling aspects of Bonaventure Cemetery in Savannah, Georgia? And speaking of Savannah, why is The Pirate House so darn haunting? In addition to those follow-ups, Phil has been researching “Trainee” programs offered by the Writer’s Guild in the wake of their (tentative) deal with the producers. And a loyal listener has thoughts about the best/worst actors to play Hercule Poirot on the big screen. This last leads into Dean’s thoughts about Kenneth Branagh’s A Haunting in Venice before three films starring the great Dirk Bogarde, the soulfulness of Oliver Reed and a brilliant, unheralded masterpiece by the late William Friedkin all get discussed. Finally, in “Celebrity Deaths”, a beloved star of “The Man from U.N.C.L.E.” (and “NCIS”) gets remembered.