From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

After several weeks of special shows, your friends in podcasting are back to doing what they do best, providing irreverent, insightful and occasionally inspiring conversation on a wide array of entertainment topics … In “What We’re Reading”, Dean and Phil discuss Tintoretto and Hillbilly Elegy. In “Live Event of the Week” they discuss The Grammy Museum and a stirring concert featuring Bebe Rexha. In “Celebrity Deaths”, they pay tribute to five musical greats, a character actor, an Oscar-nominated writer, director and actor, the creator of “Ugly Betty”, a groundbreaking member of “Monty Python”, a TV star of the 50’s and 60’s, and an NYPD police detective. All that, plus they begin what will be an ongoing discussion about great monologues in movies delivered by women, AND they tackle the recent SAG Awards.