In another episode featuring now regular contributor Jon Lawlor (longtime purveyor of excellent Chillpak Hollywood Hour theme songs), Dean tells stories of his ongoing trip back to his hometown of Winnipeg and the workshopping of a theatrical play that was the reason for his trip. He also reveals details of what may, or may not, be a Winnipeg-themed art collection he will be (or might not be) showing at a forthcoming Hamilton, Ontario, art show! Jon and Phil compare notes on the live stage show (“Viva Los Feliz”) in which they both performed last week. Then, the focus turns to Spike Lee’s latest “joint”, a remake of an Akira Kurosawa classic itself based on a novel by Ed McBain (aka Evan Hunter). Particular attention is paid to the cinematography and the music. Finally, it’s time for more Superman discussion, as a longtime, brilliant listener takes Dean and Jon to task for what they “missed” in their scathing reviews of one of this year’s most beloved, and most talked about movies. Oh, and Star Wars: The Force Awakens takes quite a few strays in the process!

This week’s show was recorded several days early because Dean is off to Canada to workshop a new play, to re-visit some of his old, musical stomping grounds, and to prepare for an art show! Phil hosted a live stage show this past week, one that featured such good friends of Chillpak as Lily Holleman and Jon Lawlor. Phil offers a full report in “Live Event of the Week”. An email from a loyal listener about the dangers and responsibility of making historical dramas leads to a fascinating, deeply thoughtful, thorny conversation, one that promises to continue to unfold in the weeks to come. Another friend of the show, Steve Benaquist, drops in to help answer a question from a listener about the current box office smash Weapons before Dean and Phil tackle Marvel’s Thunderbolts* and all of the MCU’s “Phase Five” before turning their attention to the brand small-screen franchise adaptations “Alien: Earth” and “Star Trek: Strange New Worlds”.

It’s the symbolic final weekend of summer 2025 and your friends in podcasting commemorate in style with almost 70 minutes of rich podcasty goodness! They discuss how one of Dean’s all-time least favorite films might become a television series. They discuss how a Todd Haynes period detective film they would have loved to see might just be back from the dead. They discuss how and why Weapons has captured the cultural conversation in a way few movies do any more. They discuss how and why Netflix had the #1 film at the box office, why Netflix didn’t want you to know that, and what it might portend for the future. They discuss the merits of the new Netflix mystery The Thursday Murder Club. They discuss the 1987 classic River’s Edge and the 1949 all-time masterpiece The Third Man. In the return of the “Live Event of the Week”, Pink Martini performs under the stars at the Greek Theatre. In “Celebrity Deaths”, an Oscar-winning composer, a Tejano legend, a chart-topping flugelhorn player, a co-founder of “Derek and the Dominos”, and the jazz singer dubbed “the lady with the million-dollar ears” all get remembered. Finally, Dean and Phil pay tribute to the great Terence Stamp. Happy Labor Day, USA! Happy Monday, everyone else.

This was not the show we expected to be bringing you this week, but all of a sudden, during their “side project” (“The Art Life” with friend of show Jon Lawlor), Dean started holding court about the current box office smash Superman. Suffice it to say, Dean had THOUGHTS! So, we bring you what ensued, a free-wheeling discussion not only of the James Gunn-directed blockbuster, but a discussion of DC comics’ history, of the character’s history, and of the lost art of behind-the-scenes documentary looks at the making of movies as promotional materials. Somehow, the conversation turns to Rob Zombie and his House of 1000 Corpses, to a “holy grail” of cinema for Phil that proved to be a guilty non-pleasure, Ashanti, and to Noah Hawley’s new Alien: Earth television series. All that, plus the Stallone film Dean walked out of, the horrible movie Nic Cage’s son starred in, why Iron Man turned out to be so good, the problem with reboots, and more!

This week, another “audio collage” of two different conversations recorded at different times, both exploring different facets of comedy. First Dean and Phil convene to compare notes on the new reboot of The Naked Gun – what it did right, what could have been done better and what good things its success (especially with young people) might portend! Another recent release, Riff Raff gets reviewed, and the importance of sketch and improv training for actors gets discussed. Then, your friends in podcasting take a deep dive into The Beatles’ movies directed by Richard Lester: A Hard Day’s Night and Help! A whole lot of deep concepts and legendary cinematic figures get explored as a result! In the final half hour of this epic installment, frequent contributor to the show, and comedy impresario, Marc Hershon and Phil discuss recent, disturbing news from the world of television, before discussing a Marc Maron comedy special, how authenticity might be having a moment, how young people seem to have good B.S. detectors, and several of Marc’s formative comedy influences.

This week, Dean and Phil go deeper into the life and career of the brilliant Tom Lehrer before opening the Chillpak morgue and remembering astronaut Jim Lovell, actor Alfie Wise, WKRP star Loni Anderson, wrestling superstar Hulk Hogan, heavy metal icon Ozzy Osbourne, and beloved “Cosby Show” star Malcolm-Jamar Warner, in “Celebrity Deaths”. These discussions lead to several unexpected and fascinating topics. After that, Phil describes how the 1980s are alive and well in Montecito, California, sharing stories about Dennis Miller, Christopher Lloyd and Kenny Loggins in the process. Finally, two superhero films receive analysis: Superman and The Fantastic Four: First Steps.

Dean Haglund turned 60 this past week and on the occasion, Phil Leirness and (friend of show and composer of numerous themes songs) Jon Lawlor met up with Dean via Zoom to discuss the importance of celebrating birthdays. They also celebrated the incredible life and hilarious artistry of the great Tom Lehrer. This led into a discussion of the gents’ all time biggest comedy influences. Finally, they discussed the fact that two of the films hailed as the best of 2025 both deal with recovery from sexual trauma and why that might make sense for where we are as a culture right now. Afterwards, Lily Holleman joined the festivities to go in-depth with Phil about one of those two films.

Because your friends in podcasting really wanted to take a much-needed week off, they pre-recorded this week’s show in two parts. One part involves Dean and Phil continuing their ongoing reappraisal of the “Mission: Impossible” films, as they debate the merits of the most successful (and critically acclaimed) installment – Mission: Impossible – Fallout. The other part was recorded with good pal Jon Lawlor during their weekly discussion of “The Art Life”. The themes they explore involve the definitions of “courage”, “decorate” and answering the question, “what’s missing?” Music, bravery, intimacy, cancer, dog sweaters, and the “Star Trek” episode “Spectre of the Gun” are just some of the topics discussed. The show ends in a cliffhanger mystery! The show BEGINS with a question to you (yes, YOU!), our dear listeners, about the future form of YOUR Chillpak Hollywood Hour!

It’s been a while since Phil brought out the ol’ Chillpak soapbox, but on this week’s show, it comes in handy as Dean and Phil delve into the huge show biz news in “The Explanation of the Week” involving late night shows, corporate mergers, bribery, evangelical Christianity, and Stephen Colbert. In “What We’re Reading” the teachings of Taoist philosophy go into the spotlight. The first two episodes of “Star Trek: Strange New Worlds” season 3 get reviewed and Phil defends the series from some recent criticisms about the show “not being about anything”. Then TV mysteries “The Residence” and “Poker Face” get discussed before the 1965 big-screen Agatha Christie-adapted mystery Ten Little Indians and 2024 Cannes winner for Best Director, Grand Tour, get reviewed.