Halloween week gets off to a spooky good start with this scary fun episode! Dean and Phil reveal “What We’re Reading” and both books involve France! In the return of “Live Event of the Week”, Dean talks farmers markets, and Phil talks an historic theater and a world premiere about inkblots and perception. Dan Lin is out as the film boss at Netflix and what this means for the future of the streamer and its possible future in theatrical exhibition gets discussed. Loyal listener Maurice Terenzio spills the tea on two actors discussed at length on last week’s show: Hans Conried and Errol Flynn. Loyal listener Amber has some final (?) thoughts about the Hans Conried vehicle The Twonky, reveals her favorite Hitchcock film and mentions the two films that provided her truly visceral experiences. Loyal listener G.V. wants Dean and Phil to see the current theatrical release of the restored director’s cut of Ken Russell’s The Devils, and many listeners want them to see the current box office smash documentary (docudrama? meta-doc?) You Can See Everything. Then, because spooky season is in full swing, Phil quizzes Dean about the 20 biggest horror hits of all time at the worldwide box office. After that, Phil rolls up his sleeves to discuss another horror film double-feature of titles included on the 2022 Sight and Sound poll of the greatest films of all time. Finally, Dean and Phil re-appraise Sofia Coppola and her Marie Antoinette in the wake of that film’s 20th anniversary.

This week’s episode picks up where last week’s show left off with a deep dive into Charles Laughton’s 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism and absurdism. Then, Dean, Phil, and (frequent collaborator) Jon Lawlor discuss several filmmaking and film distribution and film marketing topics pertaining to Paul Thomas Anderson’s One Battle After Another. In 1964, the United Nations produced four movies for television. One of them featured an all-star cast and a script by Rod Serling. Carol for Another Christmas gets discussed. Finally, the recent conversation the gents had about Carl Theodore Dreyer’s The Passion of Joan of Arc inspired a thoughtful email from a loyal listener.

In what might be our longest episode ever, but is certainly an epic installment in any event, your friends in podcasting delve into the potential new relevancy of late night television, the frightening potential merger of Paramount/CBS/Skydance with Warner Bros/Discovery, and the power of TikTok (and other social media platforms) in turning this year’s Superman into a box office hit. Four of the all-time great films (Carl Thodore Dreyer’s 1928 The Passion of Joan of Arc, Luis Bunuel’s 1961 Viridiana, Jean Vigo’s 1934 L’Atalante, and Charles Laughton’s 1955 The Night of the Hunter) receive deep-dive analyses. With pal of the show Jon Lawlor adding support, the influence of Robert Redford’s training as a painter on his work as an actor and filmmaker gets discussed as does Burt Bacharach’s (terrible) music score for (the great) Butch Cassidy and the Sundance Kid.