This week’s episode finds Phil in the “DMV” (DC-Maryland-Virginia) area and Dean safely ensconced back in Michgan. Phil quizzes Dean about Renaissance man Martin Mull, iconic Winnipeg musician and broadcaster Ray St. Germain, two Oscar-winning composers, and an Oscar-nominated documentarian. Dean and Phil also sing the praises of perhaps the greatest actor to NEVER get nominated for an Oscar! Such streaming fare as “Tulsa King”, Season 4 of “The Boys”, “Ripley”, Season 2 of “Tokyo Vice”, and Richard Linklater’s Hit Man all get reviewed as well.

After traveling across the country (on Spirit Airlines), Phil has been laid up all week, sick as a dog. Dean has been avoiding the dazzling nighttime Aurora displays put on by the current solar storm. They both have a great deal of show biz news, views and reviews on their minds, however. First off, Dean previews the forthcoming Ryan Coogler-led “X-Files” reboot, hipping us to its premise. Then, he and Phil make sense of the Ryan Gosling-starring The Fall Guy, both appraising its merits and explaining its box office failure. The future of action as a genre on both the big and small screens gets analyzed. Jerry Seinfeld’s utterly silly, possibly sly Unfrosted and the seething reaction to it get dissected. Everybody’ seems to love Netflix’s new series “Baby Reindeer”, except for the possibly defamed subject of it! Dean and Phil come at this one from all angles. Finally, Phil explains what went wrong with Taika Waititi’s recent true-life sports comedy Next Goal Wins and expresses confusion over why Hulu’s “The Bear” is considered a comedy.

This week’s show begins with a mea culpa to those of you who actually listen to the show in podcast form. After that, your friends in podcasting and broadcasting follow up on last week’s “What We’re Reading” with amazing tales of the Knights of Malta and of the great artist Caravaggio’s time in Malta. Then the Hall & Oates “Lawsuit of the Week” gets revisited and clarified, before loyal listener Maurice Terenzio sets Dean straight on a lawsuit that involved puppetry giants Sid & Marty Krofft. In “Celebrity Deaths”, a groundbreaking pianist, a groundbreaking soap opera actress, a trailblazing television producer, an Oscar nominated French Actress, and a beloved American movie star all get remembered. And because awards season in Hollywood is now in full swing, two new television series get described and appraised.

Will this week be the final episode of “Season 2”? Will it be Dean and Phil’s final show Odysy Radio? They will discuss these matters (but, spoiler alert: yes to both!). They will also discuss Dean’s coddling of robots, Phil’s latest round of eye surgeries, Dean’s forthcoming watercolor series, Paul Thomas Anderson’s Licorice Pizza, the return of movies shown on film, as well as a whole lot of spirituality and music in this week’s show!

There may be tricks aplenty, but we can assure you, this week’s Season 2 Episode 99 will definitely be a treat for the listener! Before Dean and Phil can fully celebrate the spooky (like Dean’s live exploration this weekend of the haunted Wheeler Mansion), they have to discuss the truly horrifying – a real-life horror story ending in tragedy on the set of an independent film western that claimed the life of a talented young cinematographer. Dean shares a story from “The Lone Gunmen” of how he was almost killed on set! That will lead to remembrances of other talented individuals who died recently, including a beloved actor from TV and stage, the 7th friend on “Friends”, a longtime star of “The Andy Griffith Show” and the drummer for both Elvis Presley and Jerry Garcia! Then, it’s off to the movies, where your friends in podcasting discuss a handful of Halloween-appropriate classics before discussing the box office performance of Dune and review the film as well. Finally, it’s the return of the “Vintage Movie Ad” game, where Dean will try to guess the titles (3 remakes of horror classics and 3 sequels to modern horror classics) just from their ad copy!

This week’s show gets started with Dean providing an update on his graphic novel and a review of “Star Trek: Discovery” Season 3. Phil then shares a message from a loyal listener about their film The Truth is Out There. This leads to further discussion about such topics as conspiracy theories, cults, fear, how to recognize the truth, and “alienation of affection”. In “Celebrity Deaths”, Dean and Phil remember one of the greatest writers of television mysteries and an iconic voice of the British Invasion. Dean and Phil share a new review of their dark comedy feature film The Lady Killers and celebrate the fact that now everyone in the world can see it! Finally, a whole bunch of movies get discussed and reviewed, including Spike Lee’s critically-acclaimed Da 5 Bloods, Kelly Reichardt’s award-winning First Cow and a disappointing Tom Hanks western from director Paul Greengrass. Graphic novels, sci-fi TV, great new movies, conspiracy theories, celebrity deaths and more, all in one hour!

It’s our final show before the start of Season 2! After a week off, your friends in podcasting will be moving to ODYSY Radio Network starting Monday December 2nd. Once there, shows will “air” live at 9 pm eastern (becoming available as podcast a few hours later)! On THIS week’s show, our last EVER to exceed one hour (!), Dean and Phil discuss a Veteran’s Day-themed “Live Event of the Week”, remember an actress who starred in a handful of cult classics and the puppeteer responsible for Topo Gigio in “Celebrity Deaths”, compare notes on their upcoming travels, and weigh in on six new, upcoming, or recent movies: The LIghthouse, A Beautiful Day in the Neighborhood, Just Mercy, Judy, Tell Me Who I Am, Spider-Man: Far From Home.

Due to Phil’s teaching schedule, this week’s show was delayed by a half day. Once they made their trans-pacific, intercontinental connection, your friends in podcasting remembered a playwright, an actor from “The X-Files”, a beloved sitcom actor and a hip-hop star in “celebrity deaths”. They delved further into the topic of casting actors subsequent to a listener email they shared on last week’s show, which leads into a really deep analysis of diversity and cultural pendulum swings. Finally, they discussed such disparate movies as Clint Eastwood’s Sully, the recent drama about motherhood, Tully, the current inventive thriller Searching, as well as two legendary films, one about the concept of “celebrity” the other a romantic comedy about witches. YOUR Chillpak Hollywood Hour. Enjoy!

This week, we promise that Dean will NOT spend half the show working on home construction while on the microphone! He will regale us with tales of his final iprov comedy performance in Sydney prior to his move back to the USA. Then, your friends in podcasting discuss “Comedians in Cars Getting Coffee”, NBC’s “The Good Place”, Patrick Stewart’s return to “Star Trek”, Q Anon (no, not the villain in “Star Trek: The Next Generation” – at least we think not) before turning their attention to movies. Such releases as Marvel’s Ant-Man and the Wasp the elephant documentary Love & Bananas, the coming-of-age Eighth Grade, the sci-fi mind-bender The Endless, the award hopeful Leave No Trace and the early Denis Villeneuve films Incendies and Enemy all get discussed.

 

Dean Haglund shares news of his weekly pay-per-laughs improv show where he performs an episode of “The X-Files” live on-stage in Sydney. Phil Leirness reports on his visit to the restored, remodeled and re-opened Los Angeles landmark Clifton’s Cafeteria. Phil then gets on a soapbox about the true purpose of Thanksgiving and the true meaning of gratitude. A legend of Japanese cinema is remembered. A classic of sci-fi cinema is celebrated … And then, your friends in podcasting rush headlong into “the season of self-congratulation”, a time when award-hopeful movies are released en masse and award nominations and film critic top ten lists are announced almost daily. This week, award hopefuls like “Bridge of Spies”, “The Danish Girl” and “The Big Short” and box office blockbusters like “Spectre” are discussed and the Spirit Award nominations (for the best in independent film) are analyzed.