It’s all classic comedy, classic television and classic movies on this week’s show! The truly legendary Carl Reiner gets celebrated. Then, Dean and Phil compare the years in film 1982 and 1974 with 1962 to see which year they think was the best year ever for movies!
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
Due to Phil’s teaching schedule, this week’s show was delayed by a half day. Once they made their trans-pacific, intercontinental connection, your friends in podcasting remembered a playwright, an actor from “The X-Files”, a beloved sitcom actor and a hip-hop star in “celebrity deaths”. They delved further into the topic of casting actors subsequent to a listener email they shared on last week’s show, which leads into a really deep analysis of diversity and cultural pendulum swings. Finally, they discussed such disparate movies as Clint Eastwood’s Sully, the recent drama about motherhood, Tully, the current inventive thriller Searching, as well as two legendary films, one about the concept of “celebrity” the other a romantic comedy about witches. YOUR Chillpak Hollywood Hour. Enjoy!