From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
Wherever you are listening to this week’s show, we hope it finds you feeling healthy and safe. Your friends in podcasting briefly share their latest “lockdown” adventures, before sharing a tribute sent to them by a friend of the show about the SF Bay Area radio performer they discussed on last week’s episode. Then, Dean and Phil celebrate the lives and legacies of one of the biggest country music-pop music crossover artists of all time, of an an award-winning playwright, of an African soul icon, of a Swam Pop music legend, of a brilliant researcher, of a true showman on the basketball court, of a popular character actor of the 1980’s, of an influential horror director, and of one of the most prolific and influential drummers in rock. They discuss the joys of the Elton John musical biopic Rocketman, paying particular attention to the terrific performances by Taron Egerton and Jamie Bell and the inspiring friendship of Elton John and Bernie Taupin. They discuss a new book that argues 1962 was the greatest year for movies. They discuss a great way for you in the USA to stream 15 classic movies and documentaries a month for free in the comfort of your own home. They begin to discuss the horrible battle between Goldie Hawn and Jonathan Demme over 1984’s Swing Shift, a movie that has been compared to The Magnificent Ambersons as lost cinematic classics, forever destroyed by those who didn’t know better. YOUR Chillpak Hollywood Hour, Covid-19 free since May of 2007!