This weekend, Dean and Phil got together in-person on the “American Riviera” for a fascinating discussion inspired by a loyal listener like you (yes, YOU!). The conversation involves the importance of awards not only recognizing and rewarding great work, but also rewarding the great stories surrounding the making of that work! Somehow that inspires Phil to reappraise the entire filmography of James Mason. That great Belgian sleuth, Hercule Poirot, gets more time in the spotlight, as Dean and Phil take a little more time giving both a doff of the cap and a wag of the finger to Kenneth Branagh’s Death on the Nile and Phil, who took the time during the week to unearth the final Peter Ustinov performance as Agatha Christie’s protagonist, has some thoughts about Appointment with Death from the infamous Cannon Film Group. Finally, in a riff on their usual “Celebrity Deaths” section, Dean and Phil discuss three non-celebrity friends who died recently.
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.