This week’s show begins with birthday wishes for Page Branson and Dean Haglund, both of whom turn one year older this week! Then, the show makes the ol’ Chillpak pivot from celebrating birthdays to “Celebrity Deaths”! The fascinating lives and careers of two-time Oscar-winning Best Actress Olivia De Havilland and perennial television host Regis Philbin get discussed before Phil and Dean remember Phil’s friend of more than 20 years, John Saxon, who appeared in more than 200 movies and TV shows, including Phil’s 1998 film The Party Crashers. In the second half of the episode, your friends in podcasting pick up on a conversation from a couple weeks back about the all-time greatest Canadian films. Dean and Phil each share five Canadian movies that might not be worthy of that august list, but are certainly worth your time!
From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.