From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.
In “Live Event of the Week”, Dean previews an interview with a very musical guest coming up on next week’s show, and Phil reviews a stage show he first spoke about in episode #265! After that, they tackle the coronavirus, and how it’s affecting movie-going, film distribution, family travel and handshake lines! A ground-breaking, and little-known trailblazer of the movie industry gets championed 25 years after his death and that leads into “Celebrity Deaths” wherein a chart-topping singer, a beloved TV mom, a jazz great and the creator and longtime host of “Inside the Actors Studio” get remembered. All that, plus we get MUCH better acquainted with Dean (and a little bit better acquainted with Phil)!