This week, Dean and Phil will begin to slowly roll out the new era of Chillpak Hollywood, releasing much more content each week. Phil provides details at the outset. Then, he and Dean engage in much show biz “water cooler” discussion. The most famous modernist home in the world is up for sale for the very first time. Dean and Phil talk about the house, its history, and some of the movies that were filmed there. Warner Bros. is also up for sale, apparently (again!), and Dean and Phil both discuss it and sort of lament it! A loyal listener is very upset about the film Bugonia, so Dean and Phil revisit their debate about the film’s director, Yorgos Lanthimos. The lack of box office this year for accomplished and acclaimed films aimed at adults gets discussed broadly, with two of these films (the Channing Tatum vehicle Roofman, and the recent spy thriller Black Bag) going under the microscope. Finally, two classic films get re-appraised and celebrated anew: Rian Johnson’s Brick on its 20th anniversary, and the rollicking 1966 western The Professionals. Finally, one of Phil’s all-time favorite actors, indeed one of the greatest figures in Japanese cinema history, gets remembered in “Celebrity Deaths”.

This week’s episode finds Dean Haglund and Phil Leirness in fine form, discussing this year’s Oscar-winning animated feature Flow, how it was made, and why actual cats might be enjoying it! The “Lawsuit of the Week” returns, and it is a rather astounding one involving a once Oscar-nominated filmmaker. Phil and Dean both relate to a recent Substack post by one of Phil’s favorite journalists entitled, “We Are Schrödinger’s Cat”. You will find out why. Dean learns some very cool things about the Helsingør locale where he was married, including about a (rather legendary, though rarely-seen) version of Hamlet entirely shot there and about the World War II “underground railroad” operation run through there! The Scandinavian countries are very much on Phil’s mind. Dean and Phil discuss how high those countries rank on the list of “happiest” countries and how low the USA ranks. Two recent Scandinavian horror films (this past year’s Oscar-nominated The Girl with the Needle and the 2021 supernatural thriller The Innocents) both get reviewed, and the world’s first open-air museum, the Norsk Folkemusuem, gets described. Finally, Phil tips his hat to the success of the just-completed season 3 of “The White Lotus”, while Dean grabs his popcorn and pours his wine and sits down to start season 1!

Because of Dean’s peculiar living conditions at present, because of Phil’s adventures this week in the nation’s capital, and because of a message from a loyal listener (about plein air painting, about microphones, about Bing Crosby, about the body horror comedy/thriller The Substance), this week’s show will be full of fascinating, inspiring and hilarious conversation. The show will also include one of the saddest “Celebrity Deaths” Dean and Phil have ever discussed AND one of the most mind-blowing biographies of any celebrity they have ever remembered.

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.

This week’s show will pick up right where last week’s Season 4 Episode 6 left off, with a pre-recorded segment wherein Dean Haglund reveals his top two films of 2023, and Phil Leirness reveals his number one choice. Then, Dean and Phil hook up live on digital audio to discuss a wide array of topics, including: the choreography of Pina Bausch, the German nominee for the Best International Film Oscar, the Mardi Gras jazz of Delfeayo Marsalis (and a real-life backstage mystery!), the Houdini Estate in Hollywood, “Bicycle Thieves”, the French classic “Diva”, and why February 10 was a terrible day for breakfast!

Who doesn’t love a sequel?! Your friends in broadcasting & podcasting return with part 2 of their celebration of the best in cinema from 2023. If you listened to part 1, you know this is no ordinary “Top Ten” show. Ultimately, dozens of films and just as many topics will get explored. This week the topics include editing, black and white, curated experiences, gender identification, feminism, entertainment and films from a wide variety of filmmakers and genres, including Past Lives, Poor Things, The Holdovers, The Creator, All of Us Strangers and many more.