Phil gets things started by singing the praises of “The Lowdown” (and its emotional intelligence), and of Marc Hershon, who had this Sterlin Harjo-created Ethan Hawke-starring series on his list of the best television of 2025. Some casting news (regarding season 4 of “The White Lotus”) has Phil greatly enthusiastic. Then, for the first time in ages, but as they used to do on the regular back in the day, Dean and Phil analyze the long four-day weekend’s domestic box office, paying particular attention to the lack of performance by (the supposedly excellent) 28 Days Later: The Bone Temple and the milestone achieved by bona fide movie star Timothée Chalamet. Then, the conversation about IMDB’s list of the 20 most anticipated movies of 2006 picks up where it left off last week. The incredible achievement Sentimental Value pulled off at the European Film Awards gets placed in a historic perspective. Two movies get reviewed: Dean wags his finger at the Edgar Wright remake The Running Man and Phil doffs his cap to Bi Gan’s masterful Resurrection. This week’s show is EXCELLENT, but don’t take our word for it – just hit “play”!

After a cold open wherein Phil sets the stage, the show gets started in mid-conversation as frequent contributor Jon Lawlor shares some of his thoughts about Aziz Ansari’s Good Fortune. The topic then turns to Paul Thomas Anderson’s 2002 film Punch-Drunk Love with particular emphasis paid to the way Anderson used music while shooting the film. This leads to Dean explaining the ways on-set music would be used in the silent film era, and how something called “click tracks” would be used in animation. In 2022 the great actor Stellan Skarsgard suffered a stroke and yet has been able to continue acting. The ways this has been achieved get discussed. The current heist picture The Mastermind from master filmmaker Kelly Reichardt is foremost in Phil’s thoughts, specifically why, despite universal critical praise, the film is being mostly hated by moviegoers, most of whom have seen it in multiplexes. Phil also shares with Dean and Jon the new set of questions he asks himself, and answers in writing, each night before bed.

This week’s episode picks up where last week’s show left off with a deep dive into Charles Laughton’s 1955 masterpiece The Night of the Hunter the ending to which Dean greatly misunderstood. In fact, a special guest stops by to help explain the ending and to discuss the film through the prisms of expressionism, surrealism and absurdism. Then, Dean, Phil, and (frequent collaborator) Jon Lawlor discuss several filmmaking and film distribution and film marketing topics pertaining to Paul Thomas Anderson’s One Battle After Another. In 1964, the United Nations produced four movies for television. One of them featured an all-star cast and a script by Rod Serling. Carol for Another Christmas gets discussed. Finally, the recent conversation the gents had about Carl Theodore Dreyer’s The Passion of Joan of Arc inspired a thoughtful email from a loyal listener.

It’s the symbolic final weekend of summer 2025 and your friends in podcasting commemorate in style with almost 70 minutes of rich podcasty goodness! They discuss how one of Dean’s all-time least favorite films might become a television series. They discuss how a Todd Haynes period detective film they would have loved to see might just be back from the dead. They discuss how and why Weapons has captured the cultural conversation in a way few movies do any more. They discuss how and why Netflix had the #1 film at the box office, why Netflix didn’t want you to know that, and what it might portend for the future. They discuss the merits of the new Netflix mystery The Thursday Murder Club. They discuss the 1987 classic River’s Edge and the 1949 all-time masterpiece The Third Man. In the return of the “Live Event of the Week”, Pink Martini performs under the stars at the Greek Theatre. In “Celebrity Deaths”, an Oscar-winning composer, a Tejano legend, a chart-topping flugelhorn player, a co-founder of “Derek and the Dominos”, and the jazz singer dubbed “the lady with the million-dollar ears” all get remembered. Finally, Dean and Phil pay tribute to the great Terence Stamp. Happy Labor Day, USA! Happy Monday, everyone else.

Because your friends in podcasting really wanted to take a much-needed week off, they pre-recorded this week’s show in two parts. One part involves Dean and Phil continuing their ongoing reappraisal of the “Mission: Impossible” films, as they debate the merits of the most successful (and critically acclaimed) installment – Mission: Impossible – Fallout. The other part was recorded with good pal Jon Lawlor during their weekly discussion of “The Art Life”. The themes they explore involve the definitions of “courage”, “decorate” and answering the question, “what’s missing?” Music, bravery, intimacy, cancer, dog sweaters, and the “Star Trek” episode “Spectre of the Gun” are just some of the topics discussed. The show ends in a cliffhanger mystery! The show BEGINS with a question to you (yes, YOU!), our dear listeners, about the future form of YOUR Chillpak Hollywood Hour!

Phil is in Montecito, California. Dean is ALMOST back into his house in Birmingham, Michigan. They got together via the magic of podcasting (and zoom) to discuss: The week that was for “Cobra Kai” star Martin Kove, the latest company splits for “Legacy Media” conglomerates, and California’s now official increase in the annual Film & TV Tax Credit funding. Wes Anderson and The Phoenician Scheme, Apple and their F1 and Fountain of Youth, the Indiana Jones films, Bong Joon Ho and Mickey 17, and the “Mission: Impossible” films all get deep dive analyses as well.

If you are interested in movies, movie making, or the movie business, you are going to find this week’s show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country’s 100-percent Capital Cost Allowance tax shield for investors, Jon Voight’s plan to save Hollywood and the wildly different reactions to that plan within the industry, the ways the smash hit Sinners might change the economics of the biz, and the just-commenced 78th Cannes Film Festival (including one apparent all-time masterpiece that made its debut as well as a “secret” documentary about the Red Hot Chili Peppers). As if that weren’t enough, your friends in podcasting go overtime to remember two impactful filmmakers, an Oscar-winning makeup artist, a beloved big screen “tough guy”, and a prolific child star of the 1930s and 40s.

Phil is back from Fort Worth, Texas, and has a Logan’s Run location story to share with Dean. Phil also regales Dean with the story behind a delicious cocktail at the Grand Hotel in Oslo (named in “honor” of pop icon Madonna). Dean and Phil try to make sense of Jon Voight’s plans to “save” Hollywood and how the President seized on those plans while probably misunderstanding them completely and/or intentionally. Meanwhile, “Sinners” might end up affecting real change in the film business and your friends in podcasting will discuss how. One of the all-time great actors, William Holden, and one of the all-time great actresses, Barbara Stanwyck, get discussed through the prism of two films: Executive Suite and Stella Dallas, and THE all-time greatest film (according to the 2022 Sight and Sound poll) also gets analyzed. This film is celebrating its 50th anniversary and so the conversation turns to other films of the era, including, perhaps, the greatest of all Francis Coppola films (and no, we’re not talking about The Godfather Part II).

One month from their 18th Anniversary (of changing the way you listen to the internet!), your friends in podcasting are still recovering from their European Adventures and during this week’s installment they start by discussing the Marx Brothers, and end by revealing architecture and fine art discoveries they made while overseas. In between, they discuss the Netflix CEO declaring war on movie theaters, a movie soon leaving Netflix, and a quite lovely, moving film just released to theaters. And in “Celebrity Deaths” character actor Bruce Glover, king of the miniseries Richard Chamberlin, and movie star Val Kilmer all get remembered.

Phil is in Los Angeles, Dean is back in home in Detroit (or its environs) and normalcy is restored on this week’s show. Dean offers up his final thoughts about Lisbon, shares the status of his ongoing home renovations, and weighs in on the in-flight movies he availed himself of: John Woo’s remake of his own The Killer and a zombie dog horror film from South Korea. Phil weighs in on a once-great television series that has jumped the shark and a great spy film from Steven Soderbergh that is meeting with box office failure. The state of the box office, film distribution, and what can be done to fix all of it gets analyzed. Then, in “Celebrity Deaths” two great character actors, two chart-topping music-makers, a heavyweight champion turned grillmaster, and a philanthropist who championed architecture all get remembered.