We hope you are hungry this week because Dean and Phil are serving up Detroit-style pizza, Japanese-Italian fusion, and red, white and blue margaritas! They discuss their 4th of July activities, celebrity sightings of a Supreme Court Justice and a former President of the U.S., modern and contemporary and text-based art, and a classical music “Live Event of the Week”. In “Celebrity Deaths”, one of the greatest screenwriters of all time and a beloved musician-turned-comic actor-turned artist both get remembered. A television show set in Tokyo and another set in Detroit both get discussed. Then Dean reviews the latest movie featuring everyone’s favorite Detroit cop, the brand new Beverly Hills Cop: Axel F and Phil previews three very cool sounding movies that debuted at the Cannes Film Festival in May. All in all it is a delicious and nutritious feast for the senses (at least your hearing) and for your funny bone!

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

With how much ground your friends in podcasting cover on this week’s show, you’ll forgive them going almost eight minutes overtime, won’t you? The show starts with a “Live Event of the Week” as Phil regales Dean with tales of his 49th birthday celebrations on a day that involved marionettes, Norse mythology and the oldest restaurant in Hollywood. Then, for the first time in ages, Dean and Phil discuss what they’re reading. After that, it’s onto “Celebrity Deaths” which contains a correction of a correction from last week, as well as remembrances of a former teen idol, a jazz great, a country music great, a gospel great and two award-winning actors. Then, a few more thoughts about the latest news involving toxic masculinity, the United States Senate and “Whataboutism” before Dean and Phil roll up their sleeves to discuss almost a dozen movies, including both the 1974 and 2017 versions of Murder on the Orient Express, Orson Welles’ 1952 Othello, Kelly Reichardt’s Certain Women, and this year’s award hopefuls Last Flag FlyingCall Me By Your Name,Lady BirdMudboundHostiles and The Disaster Artist.